Playtime (sometimes written PlayTime or Play Time) is French director Jacques Tati's fourth major film, and generally considered to be his most daring film. It was shot in 1964 through 1967 and released in 1967. In Playtime, Tati again plays Monsieur Hulot, a character who had appeared in some of his earlier films, including Mon Oncle and Les Vacances de Monsieur Hulot. As mentioned on the making of documentary that accompanies the Criterion Collections DVD of the film, by 1964 Tati had grown ambivalent towards playing Hulot as a recurring central role. Unable to dispense with the popular character altogether, Hulot appears intermittently in Playtime, alternating between central and supporting roles. Shot in 70 mm, Playtime is notable for its enormous set, which Tati had built specially for the film, as well as Tati's trademark use of subtle, yet complex visual comedy supported by creative sound effects; dialogue is frequently reduced to the level of background noise.
Read more about Play Time: Plot, Cast, Production, Themes, Style, Reception
Famous quotes containing the words play and/or time:
“Within the university ... you can study without waiting for any efficient or immediate result. You may search, just for the sake of searching, and try for the sake of trying. So there is a possibility of what I would call playing. Its perhaps the only place within society where play is possible to such an extent.”
—Jacques Derrida (b. 1930)
“What art thou that usurpst this time of night,
Together with that fair and warlike form
In which the majesty of buried Denmark
Did sometimes march? By heaven I charge thee speak!”
—William Shakespeare (15641616)