Playtime (sometimes written PlayTime or Play Time) is French director Jacques Tati's fourth major film, and generally considered to be his most daring film. It was shot in 1964 through 1967 and released in 1967. In Playtime, Tati again plays Monsieur Hulot, a character who had appeared in some of his earlier films, including Mon Oncle and Les Vacances de Monsieur Hulot. As mentioned on the making of documentary that accompanies the Criterion Collections DVD of the film, by 1964 Tati had grown ambivalent towards playing Hulot as a recurring central role. Unable to dispense with the popular character altogether, Hulot appears intermittently in Playtime, alternating between central and supporting roles. Shot in 70 mm, Playtime is notable for its enormous set, which Tati had built specially for the film, as well as Tati's trademark use of subtle, yet complex visual comedy supported by creative sound effects; dialogue is frequently reduced to the level of background noise.
Read more about Play Time: Plot, Cast, Production, Themes, Style, Reception
Famous quotes containing the words play and/or time:
“Man is neither angel nor beast, and the unfortunate thing is that he who would play the angel plays the beast.”
—Blaise Pascal (16231662)
“All neighbourly content and easy talk are gone,
But theres no good complaining, for moneys rant is on,
He thats mounting up must on his neighbour mount
And we and all the Muses are things of no account.
They have schooling of their own but I pass their schooling by,
What can they know that we know that know the time to die?”
—William Butler Yeats (18651939)