Peter Schickele - P. D. Q. Bach

P. D. Q. Bach

Besides composing music under his own name, Schickele has developed an elaborate parodic persona built around his studies of the fictional "youngest and the oddest of the twenty-odd children" of Johann Sebastian Bach, P.D.Q. Bach. His clever parodies of baroque and classical music, written under this particular Bach’s name, have earned him four Grammy Awards for Best Comedy Performance/Album. Among the huge repertory still being uncovered by the diligent Schickele are such challenging works as The Abduction of Figaro, Canine Cantata: "Wachet Arf!" (S. K9), Good King Kong Looked Out, the Trite Quintet (S. 6 of 1), "O Little Town of Hackensack", A Little Nightmare Music, the cantata Iphigenia in Brooklyn, the Concerto for Horn and Hardart, The Art of The Ground Round (S. $1.19/lb.), Blaues Grasse (The Bluegrass Cantata), and perhaps best known of all, the dramatic oratorio, Oedipus Tex, featuring the O.K. Chorale. Though P.D.Q. Bach is ostensibly a Baroque composer, Schickele extends his parodic repertoire to modern works such as "Einstein on the Fritz", a parody of his Juilliard classmate Philip Glass.

His fictitious "home establishment," where he reports having tenure as "Very Full Professor Peter Schickele" of "musicolology" and "musical pathology", is the University of Southern North Dakota at Hoople, a little-known institution which does not normally welcome out-of-state visitors. To illustrate the work of his uncovered composer, Schickele invented a range of rather unusual instruments. The most complicated of these is the Hardart, a variety of tone-generating devices mounted on the frame of an "automat", a coin-operated food dispenser. The modified automat is used in the Concerto for Horn and Hardart, a play on the name of proprietors Horn & Hardart, who pioneered the North American use of the automat in their restaurants.

Schickele also invented the "dill piccolo" for playing sour notes, the "left-handed sewer flute", the "tromboon", the "lasso d'amore", the double-reed slide music stand, which he described as having "a range of major third and even less expressiveness," the "tuba mirum", a flexible tube filled with wine, and the "pastaphone", an uncooked tube of manicotti pasta played as a horn. And then there was the extensively described but (so far as is known) never demonstrated über klavier or super piano, with a keyboard ranging from sounds which only dogs can hear down to sounds which only whales can make. Sample sheet music was provided in P.D.Q.'s unauthorized autobiography, published in 1976. P.D.Q's Pervertimento for Bagpipes, Bicycle and Balloons (1965) demonstrated the inherent musical qualities of everyday objects in ways not equally agreeable to all who listen to them.

To some degree, Schickele's music written as P.D.Q. Bach has overshadowed Schickele's work as a "serious" composer.

For a period of time in the 1970s and early 1980s, performances by Schickele of the works of P.D.Q. Bach often involved guest appearances by the Swarthmore College Choir, often advertised as "fresh from their recent tour of Swarthmore, Pennsylvania."

The humorous aspect of Schickele's musical career came from his early interest in the music of Spike Jones, whose musical ensemble lampooned popular music in the 1940s and 1950s. While at Juilliard (1959) Schickele teamed with conductor Jorge Mester to present a humorous concert, which became an annual event at the college. In 1965, Schickele moved the concept to Town Hall and invited the public to attend. Vanguard Records released an album of that concert, and P. D. Q. Bach's career was launched.