Performance
Performance with 32-bit code was excellent and well ahead of the older Pentiums at the time, usually by 25-35%. However, Pentium Pro's 16-bit performance was the same as the original Pentium. It was this, along with the Pentium Pro's high price, that caused the rather lackluster reception among PC enthusiasts, given the dominance at the time of the 16-bit MS-DOS, 16/32-bit Windows 3.1x, and 32/16-bit Windows 95 (parts of Windows 95, such as USER.exe, were still mostly 16-bit). To gain the full advantages of Pentium Pro's P6 microarchitecture, one needed to run a fully 32-bit OS such as Windows NT 3.51, Linux, Unix, or OS/2.
No Pentium Pro model implemented MMX, which reduced performance in many multimedia applications.
Compared to RISC microprocessors, the Pentium Pro, when introduced, slightly outperformed the fastest RISC microprocessors on integer performance when running the SPECint95 benchmark, but floating-point performance was significantly lower, half of some RISC microprocessors. The Pentium Pro's integer performance lead disappeared rapidly, first overtaken by the MIPS Technologies R10000 in January 1996, and then by Digital Equipment Corporation's EV56 variant of the Alpha 21164.
Read more about this topic: Pentium Pro
Famous quotes containing the word performance:
“The way to go to the circus, however, is with someone who has seen perhaps one theatrical performance before in his life and that in the High School hall.... The scales of sophistication are struck from your eyes and you see in the circus a gathering of men and women who are able to do things as a matter of course which you couldn’t do if your life depended on it.”
—Robert Benchley (1889–1945)
“Tennis is more than just a sport. It’s an art, like the ballet. Or like a performance in the theater. When I step on the court I feel like Anna Pavlova. Or like Adelina Patti. Or even like Sarah Bernhardt. I see the footlights in front of me. I hear the whisperings of the audience. I feel an icy shudder. Win or die! Now or never! It’s the crisis of my life.”
—Bill Tilden (1893–1953)
“When a book, any sort of book, reaches a certain intensity of artistic performance it becomes literature. That intensity may be a matter of style, situation, character, emotional tone, or idea, or half a dozen other things. It may also be a perfection of control over the movement of a story similar to the control a great pitcher has over the ball.”
—Raymond Chandler (1888–1959)