Movement
| a | b | c | d | e | f | g | h | ||
| 8 | 8 | ||||||||
| 7 | 7 | ||||||||
| 6 | 6 | ||||||||
| 5 | 5 | ||||||||
| 4 | 4 | ||||||||
| 3 | 3 | ||||||||
| 2 | 2 | ||||||||
| 1 | 1 | ||||||||
| a | b | c | d | e | f | g | h |
| a | b | c | d | e | f | g | h | ||
| 8 | 8 | ||||||||
| 7 | 7 | ||||||||
| 6 | 6 | ||||||||
| 5 | 5 | ||||||||
| 4 | 4 | ||||||||
| 3 | 3 | ||||||||
| 2 | 2 | ||||||||
| 1 | 1 | ||||||||
| a | b | c | d | e | f | g | h |
| King | |
| Queen | |
| Rook | |
| Bishop | |
| Knight | |
| Pawn |
Pawns are unusual in how they move. Unlike the other pieces, pawns may not move backwards. Normally a pawn moves by advancing a single square, but the first time a pawn is moved, it has the option of advancing two squares. Pawns may not use the initial two-square advance to jump over an occupied square, or to capture. Any piece directly in front of a pawn, friend or foe, blocks its advance. In the diagram at right, the pawn on c4 may move to c5, while the pawn on e2 may move to either e3 or e4.
Read more about this topic: Pawn (chess)
Famous quotes containing the word movement:
“Im real ambivalent about [working mothers]. Those of use who have been in the womens movement for a long time know that weve talked a good game of go out and fulfill your dreams and be everything you were meant to be. But by the same token, we want daughters-in-law who are going to stay home and raise our grandchildren.”
—Erma Bombeck (20th century)
“Later
Some movement is reversed and the urgent masks
Speed toward a totally unexpected end
Like clocks out of control.”
—John Ashbery (b. 1927)
“What had really caused the womens movement was the additional years of human life. At the turn of the century womens life expectancy was forty-six; now it was nearly eighty. Our groping sense that we couldnt live all those years in terms of motherhood alone was the problem that had no name. Realizing that it was not some freakish personal fault but our common problem as women had enabled us to take the first steps to change our lives.”
—Betty Friedan (20th century)