Character
Oro is a hermit of Japanese descent who is over 140 years old, having mastered the secrets of immortality. He lives in a deep cave within the Amazon. Although he may not seem very strong, his lack of attachments has allowed him to exceed his fighting skills beyond those of an ordinary person, though he does seem to have a weakness for cute girls. He attained such extraordinary abilities through the mastery of an extreme fighting style known as senjutsu (仙術?). He sets out on a journey to find a worthy successor of his secrets in order to kill time. Through the use of magic, he sealed one of his arms in order to even the odds in favor of his opponents.
In his ending in the original game and 2nd Impact, Oro decides that the only martial artist he met worthy of inheriting his secrets was Ryu. In 3rd Strike, Oro's boredom has reached its limits. Many young fighters have come to him in trying to become his disciples, but no one has lasted his training long enough. One day, he heard rumors involving a "mysterious organization" and the "master of the fist" and he decided to investigate. In his ending, Oro is shown trying to make Ryu, who is unaware of Oro's presence in his training, his disciple again.
Oro appears in Street Fighter III and its subsequent expansions, Street Fighter III: 2nd Impact and Street Fighter III: 3rd Strike, noted for his unorthodox fighting style. According to UGO.com, he is a fighter more suited for patient players, who "can deal some serious damage to the player that can wait for the right opening on an opponent." Oro also appears in the Street Fighter Legends: Ibuki comic book miniseries.
Read more about this topic: Oro (Street Fighter)
Famous quotes containing the word character:
“An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.”
—Eleanor Robson Belmont (18781979)
“There appears to be but two grand master passions or movers in the human mind, namely, love and pride. And what constitutes the beauty or deformity of a mans character is the choice he makes under which banner he determines to enlist himself. But there is a strong distinction between different degress in the same thing and a mixture of two contraries.”
—Sarah Fielding (17101768)
“When one walks, one is brought into touch first of all with the essential relations between ones physical powers and the character of the country; one is compelled to see it as its natives do. Then every man one meets is an individual. One is no longer regarded by the whole population as an unapproachable and uninteresting animal to be cheated and robbed.”
—Aleister Crowley (18751947)