Character
Oro is a hermit of Japanese descent who is over 140 years old, having mastered the secrets of immortality. He lives in a deep cave within the Amazon. Although he may not seem very strong, his lack of attachments has allowed him to exceed his fighting skills beyond those of an ordinary person, though he does seem to have a weakness for cute girls. He attained such extraordinary abilities through the mastery of an extreme fighting style known as senjutsu (仙術?). He sets out on a journey to find a worthy successor of his secrets in order to kill time. Through the use of magic, he sealed one of his arms in order to even the odds in favor of his opponents.
In his ending in the original game and 2nd Impact, Oro decides that the only martial artist he met worthy of inheriting his secrets was Ryu. In 3rd Strike, Oro's boredom has reached its limits. Many young fighters have come to him in trying to become his disciples, but no one has lasted his training long enough. One day, he heard rumors involving a "mysterious organization" and the "master of the fist" and he decided to investigate. In his ending, Oro is shown trying to make Ryu, who is unaware of Oro's presence in his training, his disciple again.
Oro appears in Street Fighter III and its subsequent expansions, Street Fighter III: 2nd Impact and Street Fighter III: 3rd Strike, noted for his unorthodox fighting style. According to UGO.com, he is a fighter more suited for patient players, who "can deal some serious damage to the player that can wait for the right opening on an opponent." Oro also appears in the Street Fighter Legends: Ibuki comic book miniseries.
Read more about this topic: Oro (Street Fighter)
Famous quotes containing the word character:
“There appears to be but two grand master passions or movers in the human mind, namely, love and pride. And what constitutes the beauty or deformity of a man’s character is the choice he makes under which banner he determines to enlist himself. But there is a strong distinction between different degress in the same thing and a mixture of two contraries.”
—Sarah Fielding (1710–1768)
“The character of the logger’s admiration is betrayed by his very mode of expressing it.... He admires the log, the carcass or corpse, more than the tree.... What right have you to celebrate the virtues of the man you murdered?”
—Henry David Thoreau (1817–1862)
“Have you not budged an inch, then? Such is the daily news. Its facts appear to float in the atmosphere.... We should wash ourselves clean of such news. Of what consequence, though our planet explode, if there is no character involved in the explosion? In health we have not the least curiosity about such events. We do not live for idle amusement. I would not run round a corner to see the world blow up.”
—Henry David Thoreau (1817–1862)