Composition
The British Sovereign is the Sovereign of the Order and appoints all other members of the Order (by convention, on the advice of the Government). The next-most senior member is the Grand Master. The office was formerly filled by the Lord High Commissioner of the Ionian Islands; now, however, Grand Masters are chosen by the Sovereign. Grand Masters include:
- 1818–1825: Sir Thomas Maitland
- 1825–1850: HRH The Duke of Cambridge
- 1850–1904: HRH The Duke of Cambridge
- 1904–1910: HRH The Prince of Wales
- 1910–1917: None
- 1917–1936: HRH The Prince of Wales
- 1936–1957: The Rt. Hon. The Earl of Athlone
- 1957–1959: The Rt. Hon. The Earl of Halifax
- 1959–1967: The Rt. Hon. The Earl Alexander of Tunis
- 1967–present: HRH The Duke of Kent
The Order originally included 15 Knights Grand Cross, 20 Knights Commanders and 25 Companions. Several expansions have been made; now, the limits are 125, 375 and 1750, respectively. Members of the Royal Family who are appointed to the Order do not count towards the limit; neither do foreigners appointed as "honorary members".
The Order has six officers: the Prelate (as of 2006 the Rt Revd David Urquhart), the Chancellor, the Secretary, the Registrar, the King of Arms and the Usher. The Order's King of Arms is not a member of the College of Arms, like many other heraldic officers. The Usher of the Order is known as the Gentleman Usher of the Blue Rod; he does not, unlike his Order of the Garter equivalent (the Gentleman Usher of the Black Rod), perform any duties related to the House of Lords.
Read more about this topic: Order Of St Michael And St George
Famous quotes containing the word composition:
“The proposed Constitution ... is, in strictness, neither a national nor a federal constitution; but a composition of both.”
—James Madison (1751–1836)
“It is my PRIDE, my damn’d, native, unconquerable Pride, that plunges me into Distraction. You must know that 19-20th of my Composition is Pride. I must either live a Slave, a Servant; to have no Will of my own, no Sentiments of my own which I may freely declare as such;Mor DIE—perplexing alternative!”
—Thomas Chatterton (1752–1770)
“Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.”
—Vladimir Nabokov (1899–1977)