National Media Museum - Collection

Collection

The museum's collection contains 3.5 million items of historical, cultural and social value, including the first photographic negative, the earliest television footage, the world's first moving pictures (Louis Le Prince's 1888 films of Roundhay Garden Scene and Leeds Bridge). It also contains original toys from the BBC series Playschool – the first programme on BBC2. The collections are accessible to the public through its Insight study centre. The collection of the Royal Photographic Society was transferred to the Museum on behalf of the nation in 2003.

The museum incorporates the first permanent UK installation of an IMAX cinema (with a second screen opening in the UK 15 years later). Opened in 1983 as part of the Bradford Film Festival with the projector visible from a darkened booth of the 4th floor, this screen runs IMAX presentations seven days a week, including IMAX prints of Apollo 13, The Lion King, Harry Potter and the Goblet of Fire and Batman Begins. In 1999, IMAX upgraded the system and began releasing IMAX 3D presentations. In June 2010 it was announced that the Ray and Diana Harryhausen Foundation had agreed to deposit the animator's complete collection of some 20,000 pieces with the National Media Museum.

The museum also incorporates the Pictureville Cinema – opened in 1992 and described by David Puttnam as 'the best cinema in Britain', Pictureville Cinema screens everything from 70mm to video; from Hollywood to Bollywood; from silents to digital sound, with certifications in presentation including THX in sound and picture and the Dolby EX system. This cinema is one of only three public cinemas in the world permanently equipped to display original 3-strip 35mm Cinerama prints. In 2008, the cinema presented the only true recorded public screening of Danny Boyle's 2002 film Alien Love Triangle.

Read more about this topic:  National Media Museum

Famous quotes containing the word collection:

    The society would permit no books of fiction in its collection because the town fathers believed that fiction ‘worketh abomination and maketh a lie.’
    —For the State of Rhode Island, U.S. public relief program (1935-1943)

    No collection of people who are all waiting for the same thing are capable of holding a natural conversation. Even if the thing they are waiting for is only a taxi.
    Ben Elton (b. 1959)

    It’s rather grisly, isnt it, how soon a living man becomes nothing more than a collection of stocks and bonds and debts and real estate?
    John Dos Passos (1896–1970)