NAACP Image Award For Outstanding Drama Series
The NAACP Image Award winners for Outstanding Drama Series:
(Prior to 1995, the award was for "Outstanding Drama Series, Mini-Series or Television Movie")
| Year | Television Series |
|---|---|
| 1991 | The Women of Brewster Place |
| 1992 | In the Heat of the Night |
| 1993 | In the Heat of the Night |
| 1994 | I'll Fly Away |
| 1995 | I'll Fly Away |
| 1996 | New York Undercover |
| 1997 | New York Undercover |
| 1998 | Touched by an Angel |
| 1999 | Touched by an Angel |
| 2000 | Touched by an Angel |
| 2001 | City of Angels |
| 2002 | Soul Food |
| 2003 | Soul Food |
| 2004 | Soul Food |
| 2005 | Law & Order |
| 2006 | Grey's Anatomy |
| 2007 | Grey's Anatomy |
| 2008 | Grey's Anatomy |
| 2009 | Grey's Anatomy |
| 2010 | Lincoln Heights |
| 2011 | Grey's Anatomy |
| 2012 | Law & Order: Special Victims Unit |
Read more about NAACP Image Award For Outstanding Drama Series: Facts & Stats
Famous quotes containing the words image, award, outstanding, drama and/or series:
“The paper tiger hero, James Bond, offering the whites a triumphant image of themselves, is saying what many whites want desperately to hear reaffirmed: I am still the White Man, lord of the land, licensed to kill, and the world is still an empire at my feet.”
—Eldridge Cleaver (b. 1935)
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (18951985)
“For generations, a wide range of shooting in Northern Ireland has provided all sections of the population with a pastime which ... has occupied a great deal of leisure time. Unlike many other countries, the outstanding characteristic of the sport has been that it was not confined to any one class.”
—Northern Irish Tourist Board. quoted in New Statesman (London, Aug. 29, 1969)
“Only in the problem play is there any real drama, because drama is no mere setting up of the camera to nature: it is the presentation in parable of the conflict between Mans will and his environment: in a word, of problem.”
—George Bernard Shaw (18561950)
“The womans world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)