Works
- Theory of flight. Foreword by Stephen Vincent Benet. New Haven: Yale Uni. Press, 1935.
- U.S. 1. 1938.
- A Turning Wind. 1939.
- Willard Gibbs: American Genius, 1942. Reprinted by the Ox Bow Press, Woodbridge CT.
- Beast in View. 1944.
- The green wave. (with Octavio Paz) Garden City, NY: Doubleday, 1948.
- The life of poetry. NY: Current Books, 1949. Paris Press; reprint (1996) ISBN 0-9638183-3-3
- Elegies (1949)
- One Life. NY: Simon and Schuster, 1957. Biography of Wendell Willkie.
- Body of Waking. NY: Harper, 1958.
- Waterlily Fire: Poems 1935-1962. NY: Macmillan, 1962.
- The Orgy. (1965) Paris Press; reprint (1997) ISBN 0-9638183-2-5
- The outer banks. (Sea poetry). Santa Barbara CA: Unicorn, 1967.
- The speed of darkness. NY: Random House, 1968.
- The traces of Thomas Hariot. NY: Random House, 1971
- Breaking Open. 1973.
- Early poems, 1935-1955. Octavio Paz. Translated from the Spanish by Muriel Rukeyser et al. NY: New Directions Pub. Corp., 1973.
- The gates: poems. NY: McGraw-Hill, 1976.
- The collected poems. NY: McGraw-Hill, 1978.
- Out of silence: selected poems. edited by Kate Daniels. Evanston IL: TriQuarterly Books, Northwestern University; Oak Park, IL: Distributed by ILPA, 1992.
- A Muriel Rukeyser Reader. W W Norton.
- The Collected Poems of Muriel Rukeyser. University of Pittsburgh Press, 2005.
Read more about this topic: Muriel Rukeyser
Famous quotes containing the word works:
“They that go down to the sea in ships, that do business in great waters, these see the works of the Lord and his wonders in the deep.”
—Bible: Hebrew Psalms, 107:23-4.
“One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.”
—Benjamin Haydon (17861846)
“Puritanism, in whatever expression, is a poisonous germ. On the surface everything may look strong and vigorous; yet the poison works its way persistently, until the entire fabric is doomed.”
—Emma Goldman (18691940)