Muriel Rukeyser

Muriel Rukeyser (December 15, 1913 – February 12, 1980) was an American poet and political activist, best known for her poems about equality, feminism, social justice, and Judaism. Kenneth Rexroth said that she was the greatest poet of her "exact generation".

One of her most powerful pieces was a group of poems entitled The Book of the Dead (1938), documenting the details of the Hawk's Nest incident, an industrial disaster in which hundreds of miners died of silicosis.

Her poem "To be a Jew in the Twentieth Century" (1944), on the theme of Judaism as a gift, was adopted by the American Reform and Reconstructionist movements for their prayer books, something Rukeyser said "astonished" her, as she had remained distant from Judaism throughout her early life.

Read more about Muriel Rukeyser:  Early Life, Activism and Writing, In Other Media, Works

Famous quotes by muriel rukeyser:

    Erasing the failure of weeks with level fingers,
    she sleeks the fine hair, combing: ‘You’ll look fine tomorrow!
    Muriel Rukeyser (1913–1980)

    A work of art is one through which the consciousness of the artist is able to give its emotions to anyone who is prepared to receive them. There is no such thing as bad art.
    Muriel Rukeyser (1913–1980)

    There has been in our time a lack of reliance on language and a lack of experimentation which are frightening to anyone who sees them as symptoms. We know the phenomenon of stage-fright: it holds the player shivering, incapable of speech or action. Perhaps there is an audience-fright which the play can feel, which leaves him with these incapacities.
    Muriel Rukeyser (1913–1980)

    I am haunted by interrupted acts,
    introspective as a leper, enchanted
    by a repulsive clew,
    a gross and fugitive movement of the limbs.
    Is this the love that shook the lights to flame?
    Muriel Rukeyser (1913–1980)

    Everywhere we are told that our human resources are all to be used, that our civilization itself means the uses of everything it has—the inventions, the histories, every scrap of fact. But there is one kind of knowledge—infinitely precious, time- resistant more than monuments, here to be passed between the generations in any way it may be: never to be used. And that is poetry.
    Muriel Rukeyser (1913–1980)