Works
Three works are attributed to Murasaki: The Tale of Genji, The Diary of Lady Murasaki and Poetic Memoirs, a collection of 128 poems. Her work is considered important because her writing reflects the creation and development of Japanese writing during a period when Japanese shifted from an unwritten vernacular to a written language. Until the 9th century Japanese language texts were written in Chinese characters using the man'yōgana writing system. A revolutionary achievement was the development of kana, a true Japanese script, in the mid-to late 9th century. Japanese authors began to write prose in their own language, which led to genres such as tales (monogatari) and poetic journals (Nikki Bungaku). Historian Edwin Reischauer writes that genres such as the monogatari were distinctly Japanese and that Genji, written in kana, "was the outstanding work of the period".
Read more about this topic: Murasaki Shikibu
Famous quotes containing the word works:
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
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“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
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“...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
—Sarah N. Cleghorn (1876–1959)