Traditional Concepts
The most common aspect of a monster movie is the struggle between a human collective of protagonists against one or more monsters, who serve as the antagonistic force.
The monster is created by a folly of mankind - an experiment gone wrong, the effects of radiation or the destruction of habitat. Or usually the monster is from outer space, has been on Earth for a long time with no one ever seeing it, or released (or awakened) from a prison of some sort where is was being held.
The monster is usually a villain, but can be a metaphor of humankind's continuous destruction - giant monsters since the introduction of The Beast from 20,000 Fathoms have for a time been considered a symbol of atomic warfare, for instance. On the contrary, Godzilla began in this fashion yet as time moved on his reputation quickly grew into that of a cultural icon to the Japanese, as much as Superman is a cultural symbol to America.
The attempts of the humans to destroy the monster would at first be the usage of an opposing military force - an attempt that would antagonize the monster even more and prove useless (a cliché associated with the genre). The Godzilla series utilized the concept of a superweapon built by Japanese scientists to suppress him or any of the monsters he fights.
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Famous quotes containing the words traditional and/or concepts:
“The greatest impediments to changes in our traditional roles seem to lie not in the visible world of conscious intent, but in the murky realm of the unconscious mind.”
—Augustus Y. Napier (20th century)
“It is impossible to dissociate language from science or science from language, because every natural science always involves three things: the sequence of phenomena on which the science is based; the abstract concepts which call these phenomena to mind; and the words in which the concepts are expressed. To call forth a concept, a word is needed; to portray a phenomenon, a concept is needed. All three mirror one and the same reality.”
—Antoine Lavoisier (17431794)