Meter in Classical Music
In music of the common practice period (about 1600–1900), there are four different families of time signature in common use:
- Simple duple – two or four beats to a bar, each divided by two, the top number being "2" or "4" (2/4, 2/8, 2/2 … 4/4, 4/8, 4/2 …). When there are four beats to a bar, it is alternatively referred to as "quadruple" time.
- Simple triple ( 3/4) – three beats to a bar, each divided by two, the top number being "3" (3/4, 3/8, 3/2 …)
- Compound duple - two beats to a bar, each divided by three, the top number being "6" (6/8, 6/16, 6/4 …)
- Compound triple - three beats to a bar, each divided by three, the top number being "9" (9/8, 9/16, 9/4)
If the beat is divided into two the meter is simple, if divided into three it is compound. If each measure is divided into two it is duple and if into three it is triple. Some people also label quadruple, while some consider it as two duples. Any other division is considered additively, as a measure of five beats may be broken into duple+triple (12123) or triple+duple (12312) depending on accent. However, in some music, especially at faster tempos, it may be treated as one unit of five.
Read more about this topic: Meter (music)
Famous quotes containing the words classical music, meter, classical and/or music:
“The basic difference between classical music and jazz is that in the former the music is always greater than its performanceBeethovens Violin Concerto, for instance, is always greater than its performancewhereas the way jazz is performed is always more important than what is being performed.”
—André Previn (b. 1929)
“His meter was bitter, and ironic and spectacular and inviting: so was life. There wasnt much other life during those times than to what his pen paid the tribute of poetic tragic glamour and offered the reconciliation of the familiarities of tragedy.”
—Zelda Fitzgerald (19001948)
“Et in Arcadia ego.
[I too am in Arcadia.]”
—Anonymous, Anonymous.
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidneys pastoral romance (1590)
“Through music the passions enjoy themselves.”
—Friedrich Nietzsche (18441900)