Melting Point - Predicting The Melting Point of Substances (Lindemann's Criterion)

Predicting The Melting Point of Substances (Lindemann's Criterion)

An attempt to predict the bulk melting point of crystalline materials was first made in 1910 by Frederick Lindemann. The idea behind the theory was the observation that the average amplitude of thermal vibrations increases with increasing temperature. Melting initiates when the amplitude of vibration becomes large enough for adjacent atoms to partly occupy the same space. The Lindemann criterion states that melting is expected when the root mean square vibration amplitude exceeds a threshold value.

Assuming that all atoms in a crystal vibrate with the same frequency ν, the average thermal energy can be estimated using the equipartition theorem as

 E = 4\pi^2 m \nu^2~u^2 = k_B T

where m is the atomic mass, ν is the frequency, u is the average vibration amplitude, kB is the Boltzmann constant, and T is the absolute temperature. If the threshold value of u2 is c2a2 where c is the Lindemann constant and a is the atomic spacing, then the melting point is estimated as

 T_m = \cfrac{4\pi^2 m \nu^2 c^2 a^2}{k_B} .

Several other expressions for the estimated melting temperature can be obtained depending on the estimate of the average thermal energy. Another commonly used expression for the Lindemann criterion is

 T_m = \cfrac{m \nu^2 c^2 a^2}{k_B} .

From the expression for the Debye frequency for ν, we have

 T_m = \cfrac{2\pi m c^2 a^2 \theta_D^2 k_B}{h^2}

where θD is the Debye temperature and h is the Planck constant. Values of c range from 0.15–0.3 for most materials.

Read more about this topic:  Melting Point

Famous quotes containing the words predicting, melting and/or point:

    All the critics who could not make their reputations by discovering you are hoping to make them by predicting hopefully your approaching impotence, failure and general drying up of natural juices. Not a one will wish you luck or hope that you will keep on writing unless you have political affiliations in which case these will rally around and speak of you and Homer, Balzac, Zola and Link Steffens.
    Ernest Hemingway (1899–1961)

    Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.
    Vladimir Nabokov (1899–1977)

    What is line? It is life. A line must live at each point along its course in such a way that the artist’s presence makes itself felt above that of the model.... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul’s style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.
    Jean Cocteau (1889–1963)