Julie Taymor - Early Life and Education

Early Life and Education

Taymor was born in Newton, Massachusetts, the daughter of Elizabeth (née Bernstein), a political science teacher, and Melvin Lester Taymor, a gynecologist. Taymor's interest in theatre took root early in her life. At the age of seven, she was already drawing her sister into stagings of children's stories for her parents. By age nine, she was entranced by the Boston Children's Theatre and became involved with them. Being the youngest member of theatre groups became common. By 11, she was taking trips to Boston by herself every weekend, where she discovered Julie Portman's Theatre Workshop. At the age of 13, her parents sent her to both Sri Lanka and India with the Experiment in International Living. After graduating High School at 16, Taymor went to Paris to study with L'École Internationale de Théâtre Jacques Lecoq. Her studies there exposed her to mime, which helped develop her physical sensibilities. While in Paris, Taymor worked with masks for the first time and immersed herself in film, especially the work of Fellini and Kurosawa.

In 1970 Taymor was enrolled in Oberlin College in Ohio, but she sought experience with Joseph Chaikin's Open Theatre and other companies and studied through correspondence. Hearing that director Herbert Blau was moving to Oberlin, she returned there and auditioned successfully, becoming, once again, the youngest member of a troupe. In 1973, Taymor attended a summer program of the American Society for Eastern Arts in Seattle. The instructors were performers of Indonesian topeng masked dance-drama and wayang kulit shadow puppetry. This would prove to have a great effect on Taymor in later years. Taymor graduated from Oberlin College with a major in mythology and folklore and Phi Beta Kappa honors in 1974. Upon graduation, she was presented with a Watson traveling fellowship. The fellowship allowed her to travel to Japan and Indonesia from 1975-1979. In Indonesia, she developed a mask/dance company, Teatr Loh, consisting of Japanese, Balinese, Sundanese, French, German and American actors, musicians, dancers and puppeteers. The company toured throughout Indonesia with two original productions, Way of Snow and Tirai, which were subsequently performed in the United States. She met her long-time collaborator, Elliot Goldenthal, in 1980.