Biography
Julia Fischer, born in Munich, Germany, is of German-Slovakian parentage. Her mother, Viera Fischer (née Krenková), came from the German minority in Slovakia and immigrated from Košice, Slovakia to the Federal Republic of Germany in 1972. Her father, Frank-Michael Fischer, a mathematician who was born in East Germany, moved in the same year from Eastern Saxony to West Germany.
Fischer began her studies before her fourth birthday, when she received her first violin lesson from Helge Thelen. A few months later she started studying the piano with her mother. Fischer said, "my mother's a pianist and I wanted to play the piano as well, but as my elder brother also played the piano, she thought it would be nice to have another instrument in the family. I agreed to try out the violin and stayed with it." She began her formal violin education at the Leopold Mozart Conservatory in Augsburg under the tutelage of Lydia Dubrowskaya. At the age of nine, Julia Fischer was admitted to the Munich Academy of Music, where she continues to work with Ana Chumachenco.
As a teenager, she was inspired mostly by Glenn Gould, Evgeny Kissin, and Maxim Vengerov.
She has worked with internationally acclaimed conductors, such as Lorin Maazel, Christoph Eschenbach, Yakov Kreizberg, Yuri Temirkanov, Sir Neville Marriner, David Zinman, Zdeněk Mácal, Jun Märkl, Ruben Gazarian, Marek Janowski, Herbert Blomstedt, Michael Tilson Thomas, and with a variety of top German, American, British, Polish, French, Italian, Swiss, Dutch, Norwegian, Russian, Japanese, Czech and Slovakian orchestras. Fischer has performed in most European countries, the United States, Brazil and Japan; in concerts broadcast on TV and radio in every major European country, as well as on many U.S., Japanese and Australian radio stations.
In 2003 Fischer, with numerous performances in the U.S. in the previous six years, appeared with the New York Philharmonic under the baton of Lorin Maazel playing the Sibelius Violin Concerto in New York's Lincoln Center, as well as the Mendelssohn Violin concerto in Vail, Colorado. Her 2003 Carnegie Hall debut received standing ovations for her performance of Brahms's Double Concerto with Lorin Maazel and the Bavarian Radio Symphony Orchestra. Fischer has been on orchestral tours with Sir Neville Marriner and the Academy of St. Martin in the Fields, Herbert Blomstedt and the Gewandhaus Orchestra, the Royal Philharmonic Orchestra and the Dresden Philharmonic.
In fall 2004 the label PentaTone released Fischer's first CD: Russian violin concertos with Yakov Kreizberg and the Russian National Orchestra. It received rave reviews, climbed into the top five best-selling classical records in Germany within a few days, and received an "Editor's Choice" from Gramophone in January 2005. Other critically acclaimed recordings include sonatas and partitas for solo violin of J. S. Bach, the Mozart violin concerti and the Tchaikovsky violin concerto.
Among the most prestigious competitions that Fischer has won are the International Yehudi Menuhin Violin Competition under Lord Yehudi Menuhin's supervision, where she won both the first prize and the special prize for best Bach solo work performance in 1995, and the Eighth Eurovision Competition for Young Instrumentalists in 1996, which was broadcast in 22 countries from Lisbon. In 1997, Fischer was awarded the “Prix d'Espoir” by the Foundation of European Industry. She had the opportunity to play Mozart's own violin in the room in which he was born at Salzburg to honor the 250th anniversary of his birth.
Her active repertoire spans from Bach to Penderecki, from Vivaldi to Shostakovich, containing over 40 works with orchestra and about 60 works of chamber music.
On 1 January 2008, Fischer had her unexpected public debut as a pianist, performing Edvard Grieg's Piano Concerto in A minor with the Junge Deutsche Philharmonie at the Alte Oper, Frankfurt. The concert was conducted by Matthias Pintscher, who stepped in for Sir Neville Marriner. On the same occasion she also performed the Violin Concerto no. 3 in B minor by Camille Saint-Saëns.
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