Works
His own accounts of some of the events in which he had been involved appear in Souvenirs du 4 septembre (1874), Le Gouvernement de M. Thiers (2 vols., 1878), in Mémoires des autres (1889), Nouveaux mémoires des autres (1891) and Les Derniers mémoires des autres (1897), while his sketch of Victor Cousin (1887) was a further contribution to contemporary history. For his personal history, the Premiers mémoires (I900) and Le Soir de ma journée (1902), edited by his son Gustave Simon, may be supplemented by Leon Seche's Figures bretonnes, Jules Simon, sa vie, son œuvre (new ed., 1898), and G Picot, Jules Simon: notice historique (1897); also by many references to periodical literature and collected essays in Hugo P Thieme's Guide bibliographique de la litt. française de 1800 a 1906 (1907).
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“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
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“For thou hast made him a little lower than the angels, and hast
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Thou madest him to have dominion over the works of thy hands;”
—Bible: Hebrew Psalm VIII (l. VIII, 5–6)