Inspiration and Writing Style
- Our Mutual Friend by Charles Dickens
- Summer Lightning by PG Wodehouse
- Put Out More Flags by Evelyn Waugh
- The Whitsun Weddings and High Windows by Philip Larkin
- Collected Poems by Robert Lowell
| “ | Mr. Raban's ... style ... can be described as a sort of English Capote: vivid, funny, accurate, full of hyperbolic wit and outrageous metaphor; no reticence at all. But at least as important is the author's ability to make an instant connection with virtually any human being whomsoever. Noel Perrin, New York Times | ” |
Read more about this topic: Jonathan Raban
Famous quotes containing the words inspiration and, inspiration, writing and/or style:
“For a painter, the Mecca of the world, for study, for inspiration and for living is here on this star called Paris. Just look at it, no wonder so many artists have come here and called it home. Brother, if you can’t paint in Paris, you’d better give up and marry the boss’s daughter.”
—Alan Jay Lerner (1918–1986)
“What is called eloquence in the forum is commonly found to be rhetoric in the study. The orator yields to the inspiration of a transient occasion, and speaks to the mob before him, to those who can hear him; but the writer, whose more equable life is his occasion, and who would be distracted by the event and the crowd which inspire the orator, speaks to the intellect and heart of mankind, to all in any age who can understand him.”
—Henry David Thoreau (1817–1862)
“The human head is bigger than the globe. It conceives itself as containing more. It can think and rethink itself and ourselves from any desired point outside the gravitational pull of the earth. It starts by writing one thing and later reads itself as something else. The human head is monstrous.”
—Günther Grass (b.1927)
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)