Jonathan Raban (born 14 June 1942, Hempton, Norfolk, UK) is a British travel writer and novelist. He has received several awards, such as the National Book Critics Circle Award, The Royal Society of Literature's Heinemann Award, the Thomas Cook Travel Book Award, the PEN West Creative Nonfiction Award, the Pacific Northwest Booksellers Association Award, and a 1997 Washington State Governor's Writer's Award. Since 1990 he lives with his daughter in Seattle.
Though he is primarily regarded as a travel writer, Raban’s accounts often blend the story of a journey with rich discussion of the history of the water through which he travels and the land around it. Even as he maintains a dispassionate and often unforgiving stance towards the people he meets on his travels, he does not shirk from sharing his own perceived foibles and failings with the reader. Frequently, Raban’s autobiographical accounts of journeys taken mirror transformations in his own life or the world at large: Old Glory takes place during the buildup to Ronald Reagan’s victory in the 1980 presidential election, Coasting as the Falklands War begins, and Passage to Juneau as the failure of the author’s marriage becomes apparent. Similarly melancholic and personal themes of turmoil and loss can be detected in his novels.
Read more about Jonathan Raban: Bibliography, Awards, Inspiration and Writing Style
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“There’s an enduring American compulsion to be on the side of the angels. Expediency alone has never been an adequate American reason for doing anything. When actions are judged, they go before the bar of God, where Mom and the Flag closely flank His presence.”
—Jonathan Raban (b. 1942)
“Their school a crowd, his master solitude;
Through Jonathan Swift’s dark grove he passed, and there
Plucked bitter wisdom that enriched his blood.”
—William Butler Yeats (1865–1939)
“Life, as the most ancient of all metaphors insists, is a journey; and the travel book, in its deceptive simulation of the journey’s fits and starts, rehearses life’s own fragmentation. More even than the novel, it embraces the contingency of things.”
—Jonathan Raban (b. 1942)