Selected Works
- Portrait of Madame Edouard Pailleron (1880)
- Portrait of Madame Ramón Subercaseaux (1881)
- Dr. Pozzi at Home (1881)
- Lady with the Rose (1882)
- El Jaleo (1882)
- The Daughters of Edward Darley Boit (1882)
- Portrait of Mrs. Henry White (1883)
- Portrait of Madame X (1884)
- Portrait of Robert Louis Stevenson and his wife (1885)
- Portrait of Arsène Vigeant (1885)
- Claude Monet Painting by the Edge of a Wood (1885)
- Carnation, Lily, Lily, Rose (1885-6)
- Boston Public Library murals (1890–1919)
- Portrait of Isabella Stewart Gardner (1888)
- Portrait of the composer Gabriel Fauré (1889)
- Portrait of Edwin Booth (1890) hanging at the The Players Club
- La Carmencita. Portrait of the dancer Carmencita. Musée d'Orsay, Paris (1890)
- Portrait of Mrs. Thomas Lincoln Manson Jr. (ca. 1890) Honolulu Museum of Art
- Egyptian Girl (1891)
- Portrait of Mrs. Hugh Hammersley (1892)
- Lady Agnew of Lochnaw (1892)
- Portrait of Frederick Law Olmsted (1895)
- Portrait of Mr. and Mrs. Isaac Newton Phelps-Stokes (1897)
- On his holidays (1901)
- Portrait of Theodore Roosevelt (1903)
- Santa Maria della Salute (1904)
- The Chess Game (1906)
- Mrs. Louis E. Raphael (Henriette Goldschmidt) (ca. 1906)
- Portrait of Almina, Daughter of Asher Wertheimer (1908)
- In a Garden, Corfu (Portrait of Jane Emmet de Glehn) (1909)
- Portrait of John D. Rockefeller (1917)
- Portrait of Grace Curzon, Marchioness Curzon of Kedleston (1925)
Read more about this topic: John Singer Sargent
Famous quotes containing the words selected and/or works:
“She was so overcome by the splendor of his achievement that she took him into the closet and selected a choice apple and delivered it to him, along with an improving lecture upon the added value and flavor a treat took to itself when it came without sin through virtuous effort. And while she closed with a Scriptural flourish, he “hooked” a doughnut.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.”
—William James (1842–1910)