Selected Works
- Portrait of Madame Edouard Pailleron (1880)
- Portrait of Madame Ramón Subercaseaux (1881)
- Dr. Pozzi at Home (1881)
- Lady with the Rose (1882)
- El Jaleo (1882)
- The Daughters of Edward Darley Boit (1882)
- Portrait of Mrs. Henry White (1883)
- Portrait of Madame X (1884)
- Portrait of Robert Louis Stevenson and his wife (1885)
- Portrait of Arsène Vigeant (1885)
- Claude Monet Painting by the Edge of a Wood (1885)
- Carnation, Lily, Lily, Rose (1885-6)
- Boston Public Library murals (1890–1919)
- Portrait of Isabella Stewart Gardner (1888)
- Portrait of the composer Gabriel Fauré (1889)
- Portrait of Edwin Booth (1890) hanging at the The Players Club
- La Carmencita. Portrait of the dancer Carmencita. Musée d'Orsay, Paris (1890)
- Portrait of Mrs. Thomas Lincoln Manson Jr. (ca. 1890) Honolulu Museum of Art
- Egyptian Girl (1891)
- Portrait of Mrs. Hugh Hammersley (1892)
- Lady Agnew of Lochnaw (1892)
- Portrait of Frederick Law Olmsted (1895)
- Portrait of Mr. and Mrs. Isaac Newton Phelps-Stokes (1897)
- On his holidays (1901)
- Portrait of Theodore Roosevelt (1903)
- Santa Maria della Salute (1904)
- The Chess Game (1906)
- Mrs. Louis E. Raphael (Henriette Goldschmidt) (ca. 1906)
- Portrait of Almina, Daughter of Asher Wertheimer (1908)
- In a Garden, Corfu (Portrait of Jane Emmet de Glehn) (1909)
- Portrait of John D. Rockefeller (1917)
- Portrait of Grace Curzon, Marchioness Curzon of Kedleston (1925)
Read more about this topic: John Singer Sargent
Famous quotes containing the words selected and/or works:
“The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”
—Walter Bagehot (18261877)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)