John Mellencamp - Movie Career

Movie Career

Mellencamp has made several forays into acting over the years, appearing in four films: Falling from Grace (which he also directed) (1992), Madison (2001, narration only), After Image (2001), and Lone Star State of Mind (2002). His older brother, Joe Mellencamp, appears in Falling from Grace as the bandleader during the country club scene.

In 1980, Mellencamp turned down the lead role in the movie The Idolmaker because, as he told the Toledo Blade in 1983, "I was afraid that if I made too much money, I'd have no motivation to make records anymore."

Mellencamp told VH1 that he was originally offered the Brad Pitt role in Thelma and Louise: "You know they used to want me to be an actor all the time and I used to get more movie role offers. That's when I was – believe it or not, I used to not be as ugly as I am now. And they gave me this script called Thelma & Louise and they said, 'The guy wrote the part with you in mind, John, you really gotta do this part.' And I read the script and I thought, 'Yeah, I get it but I don't want to take my shirt off.' So Brad Pitt took his shirt off and look what happened to Brad Pitt. I was that close."

In April 2007, Mellencamp was a "guest critic" on At the Movies, filling in for Roger Ebert.

Read more about this topic:  John Mellencamp

Famous quotes containing the words movie and/or career:

    Each day a few more lies eat into the seed with which we are born, little institutional lies from the print of newspapers, the shock waves of television, and the sentimental cheats of the movie screen.
    Norman Mailer (b. 1923)

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)