John Hollander - Works

Works

  • A Crackling of Thorns (1958) poems
  • The Untuning of the Sky (1961)
  • The Wind and the Rain (1961) editor with Harold Bloom
  • Movie-Going (1962) poems
  • Philomel (1964) "cantata text" for the composition of the same name by American composer Milton Babbitt
  • Visions from the Ramble (1965) poems
  • Jiggery-Pokery: A Compendium of Double Dactyls (1967) with Anthony Hecht
  • Types of Shape (1969, 1991) poems
  • Images of Voice (1970) criticism
  • The Night Mirror (1971) poems
  • Town and Country Matters (1972) poems
  • The Head of the Bed (1974) poems
  • Tales Told of the Fathers (1975) poems
  • Vision and Resonance (1975) criticism
  • Reflections on Espionage (1976) poems
  • Spectral Emanations: New and Selected Poems (1978)
  • Blue Wine (1979) poems
  • The Figure of Echo (1981) criticism
  • Rhyme's Reason: A Guide to English Verse (1981, 1989, 2001) criticism
  • Powers of Thirteen (1983) poems
  • In Time and Place (1986) poems
  • Harp Lake (1988) poems
  • Melodious Guile: Fictive Pattern in Poetic Language (1988)
  • Some Fugitives Take Cover (1988) poems
  • Tesserae and Other Poems (1993)
  • Selected Poetry (1993)
  • Animal Poems (1994) poems
  • The Gazer's Spirit: Poems Speaking to Silent Works of Art (1995) criticism
  • The Work of Poetry (1997) criticism
  • Figurehead and Other Poems (1999) poems
  • Picture Window (2003)
  • The Oxford Anthology of English Literature, American Poetry: The Nineteenth Century, editor
  • Poems Bewitched and Haunted (2005) editor
  • A Draft of Light (2008), poems
  • Sonnets. From Dante to the present, Everyman's library pocket poets.

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Famous quotes containing the word works:

    “I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?”
    —James Thomson (1700–1748)

    “One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.”
    —Benjamin Haydon (1786–1846)

    “Do not worry about the incarnation of ideas. If you are a poet, your works will contain them without your knowledge—they will be both moral and national if you follow your inspiration freely.”
    —Vissarion Belinsky (1810–1848)