Religious Beliefs
Coltrane was born and raised in a Christian home, and was influenced by religion and spirituality from childhood. His maternal grandfather, the Reverend William Blair, was a preacher at an African Methodist Episcopal Zion Church in High Point, North Carolina, and John's paternal grandfather, Reverend William H. Coltrane, was an A.M.E. Zion minister in Hamlet, North Carolina. John's parents met through church affiliation, and married in 1925. John was born in 1926. As a youth, John practiced music in the southern African-American church. In A Night in Tunisia: Imaginings of Africa in Jazz, Norman Weinstein notes the parallel between Coltrane's music and his experience in the southern church.
In 1955, Coltrane married Juanita Naima Grubbs, a Muslim convert, for whom he later wrote the piece "Naima", and came into contact with Islam. Coltrane explored Hinduism, the Kabbalah, Jiddu Krishnamurti, African history, and the philosophical teachings of Plato and Aristotle. Coltrane also became interested in Zen Buddhism and, later in his career, visited Buddhist temples during his 1966 tour of Japan.
Since 1948, Coltrane had struggled with heroin addiction as well as alcoholism. In 1957, Coltrane had a religious experience which may have been what finally led him to overcome his addictions to alcohol and heroin. In the liner notes of A Love Supreme (released in 1965) Coltrane states "uring the year 1957, I experienced, by the grace of God, a spiritual awakening which was to lead me to a richer, fuller, more productive life. At that time, in gratitude, I humbly asked to be given the means and privilege to make others happy through music." In his 1965 album Meditations, Coltrane wrote about uplifting people, "...To inspire them to realize more and more of their capacities for living meaningful lives. Because there certainly is meaning to life."
John and Naima Coltrane had no children together and were separated by the summer of 1963, and not long after that John met pianist Alice McLeod (who soon became Alice Coltrane). John and Alice moved in together and had two sons before he was "officially divorced from Naima in 1966, at which time John and Alice were immediately married." John Jr. was born in 1964, Ravi was born in 1965, and Oranyan (Oran) was born in 1967. According to Lavezzoli, "Alice brought happiness and stability to John's life, not only because they had children, but also because they shared many of the same spiritual beliefs, particularly a mutual interest in Indian philosophy. Alice also understood what it was like to be a professional musician".
Moustafa Bayoumi, an associate professor of English at Brooklyn College, City University of New York, argues that Coltrane's A Love Supreme (recorded in December 1964 and released in 1965) features Coltrane chanting, "Allah Supreme." However, in his book John Coltrane: His Life and Music (2000), on page 242, Lewis Porter describes the lyrics this way: "Coltrane and another voice—probably himself overdubbed—chant the words 'a love supreme' in unison with the bass ostinato". In The Dawn of Indian Music in the West: Bhairavi (2006), on page 283, Peter Lavezzoli says, "Certainly in his opening solo in "Acknowledgment," with his constant modulations of the same phrase in different keys, Coltrane assumes the role of the preacher. After stating the theme in every possible key, Coltrane concludes his solo and quietly begins to chant, "A love supreme ... a love supreme," singing the same four notes played by Garrison on the bass. After chanting "A love supreme" sixteen times, Coltrane and the band shift from F minor down to E flat minor, and the chant slowly tapers off." Whatever the case may be, the liner notes to A Love Supreme appear to mention God in a Universalist sense, and do not advocate one religion over another. Further evidence of this universal view regarding spirituality can be found in the liner notes of Meditations (1965), in which Coltrane declares, "I believe in all religions."
Lavezzoli points out that "After A Love Supreme, most of Coltrane's song and album titles had spiritual implications: Ascension, Om, Selflessness, Meditations, "Amen," "Ascent," "Attaining," "Dear Lord," "Prayer and Meditation Suite," and the opening movement of Meditations, "The Father and the Son and the Holy Ghost," the most obvious Christian reference in any of Coltrane's work." Coltrane's collection of books included The Gospel of Sri Ramakrishna, the Bhagavad Gita, Paramahansa Yogananda's Autobiography of a Yogi, which, Lavezzoli points out, "recounts Yogananda's search for universal truth, a journey that Coltrane had also undertaken. Yogananda believed that both Eastern and Western spiritual paths were efficacious, and wrote of the similarities between Krishna and Christ. This openness to different traditions resonated with Coltrane, who studied the Qur'an, the Bible, Kabbalah, and astrology with equal sincerity."
In October 1965, Coltrane recorded Om, referring to the sacred syllable in Hinduism, which symbolizes the infinite or the entire Universe. Coltrane described Om as the "first syllable, the primal word, the word of power". The 29-minute recording contains chants from the Bhagavad Gita, a Hindu holy book, as well as Coltrane and Pharoah Sanders chanting from a Buddhist text, The Tibetan Book of the Dead, and reciting a passage describing the primal verbalization "om" as a cosmic/spiritual common denominator in all things.
Coltrane's spiritual journey was interwoven with his investigation into world music. He believed not only in a universal musical structure which transcended ethnic distinctions, but in being able to harness the mystical language of music itself. Coltrane's study of Indian music led him to believe that certain sounds and scales could "produce specific emotional meanings." According to Coltrane, the goal of a musician was to understand these forces, control them, and elicit a response from the audience. Coltrane said: "I would like to bring to people something like happiness. I would like to discover a method so that if I want it to rain, it will start right away to rain. If one of my friends is ill, I'd like to play a certain song and he will be cured; when he'd be broke, I'd bring out a different song and immediately he'd receive all the money he needed."
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