John Milton

John Milton (9 December 1608 – 8 November 1674) was an English poet, polemicist, a scholarly man of letters, and a civil servant for the Commonwealth of England under Oliver Cromwell. He wrote at a time of religious flux and political upheaval, and is best known for his epic poem Paradise Lost.

Milton's poetry and prose reflect deep personal convictions, a passion for freedom and self-determination, and the urgent issues and political turbulence of his day. Writing in English, Latin, and Italian, he achieved international renown within his lifetime, and his celebrated Areopagitica, (written in condemnation of pre-publication censorship) is among history's most influential and impassioned defenses of free speech and freedom of the press.

William Hayley's 1796 biography called him the "greatest English author", and he remains generally regarded "as one of the preeminent writers in the English language"; though critical reception has oscillated in the centuries since his death (often on account of his republicanism). Samuel Johnson praised Paradise Lost as "a poem which...with respect to design may claim the first place, and with respect to performance, the second, among the productions of the human mind," though Johnson (a Tory and recipient of royal patronage) described Milton's politics as those of an "acrimonious and surly republican".

Because of his republicanism, Milton has been the subject of centuries of British partisanship (a "nonconformist" biography by John Toland, a hostile account by Anthony à Wood, etc.).

Read more about John Milton:  Biography, Published Poetry, Views, Legacy and Influence, Poetic and Dramatic Works, Political, Philosophical and Religious Prose

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    But the hot hell that always in him burns,
    Though in mid Heaven, soon ended his delight,
    And tortures him now more, the more he sees
    Of pleasure not for him ordained. Then soon
    Fierce hate he recollects, and all his thoughts
    Of mischief, gratulating, thus excites:
    John Milton (1608–1674)

    She, as a veil down to the slender waist,
    Her unadorned golden tresses wore
    Dishevelled, but in wanton ringlets waved
    As the vine curls her tendrils, which implied
    Subjection, but required with gentle sway,
    And by her yielded, by him best received,
    Yielded with coy submission, modest pride,
    And sweet, reluctant, amorous delay.
    Nor those mysterious parts were then concealed:
    Then was not guilty shame: dishonest Shame
    Of Nature’s works, Honour dishonourable.
    —John Milton (1608–1674)