Jimmie Nicol - With The Beatles

With The Beatles

When Ringo Starr collapsed and was hospitalised on 3 June 1964 with tonsillitis on the eve of The Beatles' 1964 Australasian tour the Beatles' manager Brian Epstein and their record producer George Martin urgently discussed the feasibility of using a stand-in drummer rather than cancelling part of the tour. Martin suggested Jimmie Nicol as he had recently used him on a Tommy Quickly recording session. Nicol had also, as part of an un-credited session band, drummed on a Top Six budget label album and an extended play single (two tracks on each side) of Beatle cover versions (marketed as "Teenagers Choice and entitled Beatlemania) which meant that he already knew the songs and their arrangements. Producer Bill Wellings and the aforementioned Shubdubs member Johnny Harris (freelancing as an arranger and composer) were responsible for putting together alternative budget cover versions of songs taken from the British Hit Parade aimed at cash-strapped teenagers: "The idea was for me to try and guess which six songs would be topping the charts about a month ahead. I would do the arrangements and then go into the studio and record "sound a-like's"; the first EP (extended play) released got to number 30 in the charts. Jimmie was on drums and, as you can imagine, we covered a lot of the Beatles' songs" Harris said. Although John Lennon and Paul McCartney quickly accepted the idea of using an understudy, George Harrison threatened to pull out of the tour, telling Epstein and Martin: "If Ringo's not going, then neither am I. You can find two replacements". George Martin: "They nearly didn't do the Australia tour. George is a very loyal person. It took all of Brian's and my persuasion to tell George that if he didn’t do it he was letting everybody down". Tony Barrow, who was the Beatles' press officer at the time, would later comment: "Brian saw it as the lesser of two evils; cancel the tour and upset thousands of fans or continue and upset the Beatles." Ringo Starr: "It was very strange, them going off without me. They’d taken Jimmy Nicol and I thought they didn’t love me any more – all that stuff went through my head". The arrangements were made very quickly, from a telephone call to Nicol at his home in west London inviting him to attend an audition-cum-rehearsal at Abbey Road Studios to packing his bags, all in the same day. At a press conference a reporter asked John Lennon why Pete Best, who had been The Beatles' original drummer, was not given the opportunity of replacing Ringo, to which Lennon replied: "He's got his own group, and it might have looked as if we were taking him back, which is not good for him." Later, on the subject of remuneration, Nicol would recall: "When Brian talked of money in front of them I got very, very nervous. They paid me £2,500 per gig and a £2,500 signing bonus. Now, that floored me. When John spoke up in a protest by saying 'Good God, Brian, you'll make the chap crazy!', I thought it was over. But no sooner had he said that when he said, 'Give him ten thousand!' Everyone laughed and I felt a hell of a lot better. That night I couldn't sleep a wink. I was a fucking Beatle!" These sums of money, which would have been vast in 1964, are unverified.

Nicol's first concert with The Beatles took place just 27 hours later on 4 June at the KB Hallen in Copenhagen, Denmark. He was given the distinctive Beatle moptop hairstyle, put on Ringo Starr's suit (despite the trousers being too short) and went on stage to an audience of 4,500 Beatles fans. Paul McCartney amusingly recalled: "He was sitting up on this rostrum just eyeing up all the women. We'd start "She Loves You": one, two, nothing, one, two, and still nothing!" Their set was reduced from eleven songs to ten, dropping Ringo Starr's vocal spot of "I Wanna Be Your Man". McCartney teasingly sent Starr a telegram saying: "Hurry up and get well Ringo, Jimmy is wearing out all your suits." Commenting later on the fickle nature of his brief celebrity, Nicol reflected: "The day before I was a Beatle, girls weren't interested in me at all. The day after, with the suit and the Beatle cut, riding in the back of the limo with John and Paul, they were dying to get a touch of me. It was very strange and quite scary." He was also able to shed some light on how they passed the time between shows: "I thought I could drink and lay women with the best of them until I caught up with these guys." In the Netherlands Nicol and Lennon allegedly spent a whole night at a brothel. Lennon said: "It was some kind of scene on the road. Satyricon! There's photographs of me grovelling about, crawling about Amsterdam on my knees, coming out of whore houses, and people saying 'Good morning John'. The police escorted me to these places because they never wanted a big scandal. When we hit town, we hit it – we were not pissing about. We had them . They were great. We didn’t call them groupies, then; I’ve forgotten what we called them, something like 'slags'". The Beatles were by now becoming more restricted by their increasing fame, spending most of their free time inside hotel suites. But Nicol discovered that, beyond acting as a Beatle, he could behave much as any tourist could: "I often went out alone. Hardly anybody recognised me and I was able to wander around. In Hong Kong I went to see the thousands of people who live on little boats in the harbour. I saw the refugees in Kowloon, and I visited a nightclub. I like to see life. A Beatle could never really do that".

Nicol played a total of eight shows until Starr rejoined the group in Melbourne, Australia, on 14 June. He was unable to say "goodbye" to The Beatles as they were still asleep when he left, and he did not want to disturb them. At Melbourne airport, Brian Epstein presented him with a cheque for £500 and a gold Eterna-matic wrist watch inscribed: "From The Beatles and Brian Epstein to Jimmy - with appreciation and gratitude." George Martin later paid tribute to Nicol whilst acknowledging the problems he experienced in trying to re-adjust to a normal life again: "Jimmie Nicol was a very good drummer who came along and learnt Ringo's parts very well. He did the job excellently, and faded into obscurity immediately afterwards". Paul McCartney: "It wasn't an easy thing for Jimmy to stand in for Ringo, and have all that fame thrust upon him. And the minute his tenure was over, he wasn't famous any more". Nicol would himself express his disillusionment several years later: "Standing in for Ringo was the worst thing that ever happened to me. Until then I was quite happy earning thirty or forty pounds a week. After the headlines died, I began dying too." He resisted the temptation to sell his story, stating in a rare 1987 interview: "After the money ran low I thought of cashing in in some way or other. But the timing wasn't right. And I didn't want to step on The Beatles' toes. They had been damn good for me and to me."