Early Life
London was born near Third and Brannan Streets in San Francisco. The house burned down in the fire after the 1906 San Francisco earthquake; the California Historical Society placed a plaque at the site in 1953. Though the family was working class, it was not as impoverished as London's later accounts claimed. London was essentially self-educated.
In 1885 London found and read Ouida's long Victorian novel Signa. He credited this as the seed of his literary success. In 1886 he went to the Oakland Public Library and found a sympathetic librarian, Ina Coolbrith, who encouraged his learning. (She later became California's first poet laureate and an important figure in the San Francisco literary community).
In 1889, London began working 12 to 18 hours a day at Hickmott's Cannery. Seeking a way out, he borrowed money from his black foster mother Virginia Prentiss, bought the sloop Razzle-Dazzle from an oyster pirate named French Frank, and became an oyster pirate. In his memoir, John Barleycorn, he claims to have stolen French Frank's mistress Mamie. After a few months, his sloop became damaged beyond repair. London became hired as a member of the California Fish Patrol.
In 1893, he signed on to the sealing schooner Sophie Sutherland, bound for the coast of Japan. When he returned, the country was in the grip of the panic of '93 and Oakland was swept by labor unrest. After grueling jobs in a jute mill and a street-railway power plant, he joined Kelly's Army and began his career as a tramp. In 1894, he spent 30 days for vagrancy in the Erie County Penitentiary at Buffalo. In The Road, he wrote:
Man-handling was merely one of the very minor unprintable horrors of the Erie County Pen. I say 'unprintable'; and in justice I must also say undescribable. They were unthinkable to me until I saw them, and I was no spring chicken in the ways of the world and the awful abysses of human degradation. It would take a deep plummet to reach bottom in the Erie County Pen, and I do but skim lightly and facetiously the surface of things as I there saw them.
After many experiences as a hobo and a sailor, he returned to Oakland and attended Oakland High School. He contributed a number of articles to the high school's magazine, The Aegis. His first published work was "Typhoon off the Coast of Japan", an account of his sailing experiences.
As a schoolboy, London often studied at Heinold's First and Last Chance, a port side bar in Oakland. At 17, he confessed to the bar's owner, John Heinold, his desire to attend University and pursue a career as a writer. Heinold lent London tuition money to attend college.
London desperately wanted to attend the University of California, Berkeley. In 1896 after a summer of intense studying to pass certification exams, he was admitted. Financial circumstances forced him to leave in 1897 and he never graduated. No evidence suggests that London wrote for student publications while studying at Berkeley.
While at Berkeley, London continued to study and spend time at Heinold's saloon where he was introduced to the sailors and adventurers who would influence his writing. In his autobiographical novel, John Barleycorn, London mentioned the pub's likeness seventeen times. Heinold's was the place where London met Alexander McLean, a captain known for his cruelty at sea, whom the protagonist in London's novel The Sea-Wolf, Wolf Larsen, is based.
Heinold's First and Last Chance Saloon is now unofficially named Jack London's Rendezvous in his honor.
Read more about this topic: Jack London
Famous quotes containing the words early and/or life:
“The shift from the perception of the child as innocent to the perception of the child as competent has greatly increased the demands on contemporary children for maturity, for participating in competitive sports, for early academic achievement, and for protecting themselves against adults who might do them harm. While children might be able to cope with any one of those demands taken singly, taken together they often exceed childrens adaptive capacity.”
—David Elkind (20th century)
“That life is really so tragic would least of all explain the origin of an art formassuming that art is not merely imitation of the reality of nature but rather a metaphysical supplement of the reality of nature, placed beside it for its overcoming.”
—Friedrich Nietzsche (18441900)