Influence of Italian Renaissance Painting
Michelangelo and Titian both lived into the second half of the 16th century. Both saw their styles and those of Leonardo, Mantegna, Giovanni Bellini, Antonello da Messina and Raphael adapted by later painters to form a disparate style known as Mannerism, and move steadily towards the great outpouring of imagination and painterly virtuosity of the Baroque period.
The artist who most extended the trends in Titian's large figurative compositions is Tintoretto, although his personal manner was such that he only lasted nine days as Titian's apprentice. Rembrandt's knowledge of the works of both Titian and Raphael is apparent in his portraits. The direct influences of Leonardo and Raphael upon their own pupils was to effect generations of artists including Poussin and schools of Classical painters of the 18th and 19th centuries. Antonello da Messina's work had a direct influence on Albrecht Dürer and Martin Schongauer and through the latter's engravings, countless artists including the German, Dutch and English schools of stained glass makers extending into the early 20th century.
Michelangelo's Sistine Chapel ceiling and later The Last Judgment had direct influence on the figurative compositions firstly of Raphael and his pupils and then almost every subsequent 16th century painter who looked for new and interesting ways to depict the human form. It is possible to trace his style of figurative composition through Andrea del Sarto, Pontormo, Bronzino, Parmigianino, Veronese, to el Greco, Carracci, Caravaggio, Rubens, Poussin and Tiepolo to both the Classical and the Romantic painters of the 19th century such as Jacques Louis David and Delacroix.
Under the influence of the Italian Renaissance painting, many modern academies of art, such as the Royal Academy, were founded, and it was specifically to collect the works of the Italian Renaissance that some of the world's best known art collections, such as the National Gallery, London, were formed.
Read more about this topic: Italian Renaissance Painting
Famous quotes containing the words influence of, influence, italian, renaissance and/or painting:
“The Family is the Country of the heart. There is an angel in the Family who, by the mysterious influence of grace, of sweetness, and of love, renders the fulfilment of duties less wearisome, sorrows less bitter. The only pure joys unmixed with sadness which it is given to man to taste upon earth are, thanks to this angel, the joys of the Family.”
—Giuseppe Mazzini (18051872)
“Standing armies can never consist of resolute robust men; they may be well-disciplined machines, but they will seldom contain men under the influence of strong passions, or with very vigorous faculties.”
—Mary Wollstonecraft (17591797)
“If the study of his images
Is the study of man, this image of Saturday,
This Italian symbol, this Southern landscape, is like
A waking, as in images we awake,
Within the very object that we seek,
Participants of its being.”
—Wallace Stevens (18791955)
“People nowadays like to be together not in the old-fashioned way of, say, mingling on the piazza of an Italian Renaissance city, but, instead, huddled together in traffic jams, bus queues, on escalators and so on. Its a new kind of togetherness which may seem totally alien, but its the togetherness of modern technology.”
—J.G. (James Graham)
“If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this: in portrait painting to put on canvas something more than the face the model wears for that one day; to paint the man, in short, as well as his features.”
—James Mcneill Whistler (18341903)