Ilse Aichinger - Works

Works

  • Das vierte Tor (1945)
  • Die größere Hoffnung (1948)
  • Spiegelgeschichte (1949)
  • Der Gefesselte (1953)
  • Das Fenster-Theater (1954)
  • Kleist, Moos, Fasane (1987)
  • Film und Verhängnis (2001)
Translations
  • The bound Man and other stories. Translated by Eric Mosbacher. Secker&Warburg, London 1955
  • Selected stories and dialogs. Ed. by James C. Alldridge. Pergamon Press, Oxford, New York 1966 (= The Commonwealth and International library. Pergamon Oxford German Series)
  • Selected Poetry and Prose. Ed. and translated by Allen H. Chappel. With an introduction by Lawrence L. Langer. Logbridge-Rhodes, Durnago, Col. 1983

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    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
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    Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.
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