In Art and Culture
Many artistic and cultural movements have articulated identity politics, such as the hip hop, skinhead and punk subcultures. Identity politics have been expressed in music genres (e.g. hip hop music, punk rock, reggae, soul music), film and fanzines. Punk rock genres that have been centred on identity politics include anarcho-punk, queercore and riot grrrl. Aside from gender and sexual orientation, class identity has been expressed in Oi!, originating in the working class East End of London.
Skinhead identity has traditionally been based on class, with many skinhead reggae, 2 Tone, Oi! and hardcore punk songs expressing working class pride and racial unity. When soul and reggae lyrics became expressions of black nationalism and/or the Rastafari movement, many white skinheads were alienated at the shift in lyrical themes. However, White power skinheads are focused on white pride, and their music and zines reflect this. White power rock music, also known as Rock Against Communism, often has lyrics about white pride and white separatism.
Hip Hop music has expressed identity politics in the form of black and Chicano nationalism, while Homo hop has expressed Queer identity politics, much like queercore has in the punk and indie scene. Hip-Hop activism draws on black liberation movements but also encompasses issues like environmentalism.
Lowrider culture was made into an artistic expression of identity politics by the Royal Chicano Air Force, an organisation established to support equality for Mexican Americans. Some lowriders have made murals celebrating Chicano culture and history.
Read more about this topic: Identity Politics
Famous quotes containing the words art and/or culture:
“Blest with each talent, and each art to please,
And born to write, converse, and live with ease”
—Alexander Pope (1688–1744)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)