Hugh Grant - Work Ethic

Work Ethic

Grant is well known for having a very strong work ethic. He has called being a successful actor a mistake and has repeatedly talked of his hope that film stardom would just be "a phase" in his life, lasting no more than ten years. He pins his lack of interest in acting on two different thoughts: first, that he drifted into the job as a temporary joke at age 23 and finds it an immature way for a grown man to spend his time; and secondly, because he believes to have already given the one remarkable comic performance he had hoped to create on screen. A self-confessed "committed and passionate" perfectionist on a film set, Grant has constantly opted to describe himself as a reluctant actor, who chooses to be neutral about his career and works mostly with friends from previous collaborations. Richard Curtis, a frequent collaborator, revealed that Grant is not fluid about the filmmaking process and tends to be unrelaxed while filming because he does not feel as though he's in the director's hands and prefers instead to take responsibility for giving a definitive performance. Grant is noted by co-workers for demanding endless takes until he achieves the desired shot according to his own standard.

A 2007 Vogue profile of Grant referred to him as a man with a "professionally misanthropic mystique." The observation followed published facts such as that Grant conducts his interviews alone (without any publicists), and has derided focus groups, market research and overriding emphasis on the opening weekend. Grant decided to let go of his agent in 2006, ending a 10-year relationship with CAA. Besides proudly proclaiming in interviews to have never listened to external views on his career, he stated that he does not require the hand-holding an agent provides. A few months before firing his agent, he said, "They've known for years that I have total control. I've never taken any advice on anything."

He has stuck to the genre of comedy, especially the romantic comedy, for almost all of his mainstream film career. He also never ventures to play characters who are not British. While some film critics, such as Roger Ebert, have defended the limited variety of his performances, others have dismissed him as a one-trick pony. Eric Fellner, co-owner of Working Title Films and a long-time collaborator of Grant, said, "His range hasn't been fully tested, but each performance is unique." A majority of Grant's popular films in the 1990s followed a similar plot that captured an optimistic bachelor experiencing a series of embarrassing incidents to find true love, often with an American woman. In earlier films, Grant was adept at plugging into the stereotype of a repressed Englishman for humorous effects, allowing him to gently satirise his characters as he summed them up and played against the type simultaneously. These performances were sometimes deemed overbearing, in the words of Washington Post's Rita Kempley, due to his "comic overreactions—the mugging, the stuttering, the fluttering eyelids." She added: "He's got more tics than Benny Hill." Grant's penchant for conveying his characters' feelings with mannerisms, rather than direct emotions, has been one of the foremost objections raised against his acting style. Stephen Hunter of the Washington Post once stated that, to be effective as a comic performer, he must get "his jiving and shucking under control." Film historian David Thompson wrote in The New Biographical Dictionary of Film about how it is merely itchy mannerisms that Grant equates with screen acting.

Grant's screen persona of later films, in the new millennium, gradually developed into a cynical, self-loathing cad. Claudia Puig of USA Today celebrated this transformation with the observation that finally "gone the self-conscious 'Aren't I adorable' mannerisms that seemed endearing at the start of film career but have grown cloying in more recent movies." Using his facial contortions and an affected stammer for varied comic purposes, According to Carina Chocano, amongst film critics, the two tropes most commonly associated with Grant are that he reinvented his screen persona in Bridget Jones's Diary and About a Boy and dreads the possibility of becoming a parody of himself.

His preference for levity over dramatic range has been a controversial topic in establishment circles, prompting him to say:

However, in 2012, Grant played several non-comedic cameo roles in the epic drama film Cloud Atlas, an experience he has spoken positively of. He plays six characters in the film, all of which he said are "incredibly evil". Of his decision to appear in the film and of how difficult it was for him to play one of the more violent characters in the movie, he said: