Giuseppe Meazza - Early Life and Technical Gifts

Early Life and Technical Gifts

He began his career as all out striker, but showed his skill and ability by also becoming an accomplished midfielder, playing for more than half of his career as inside forward. He was a great leader with excellent shooting and intoxicating dribbling skill, an eye for the pass and, despite his middle height, an exceptional heading ability.

His nickname, "il Balilla", was given to him in 1927 by his older teammate Leopoldo Conti, who thought "Pepp", who was only 17 when he joined the senior team, was too young to be associated to the senior team, and was surprised after Inter coach Arpad Weisz decided to give Meazza his debut for Inter in his place. "Now we even take players from kindergarten!" exclaimed Conti sarcastically. The National Opera Balilla, the Fascist youth organisation which collected all children aged 8 to 14 years, was established in 1926 and so Conti thought it a good way to describe the young rookie. Meazza scored two goals on his debut in a 6–2 win against Milanese Unione Sportiva in the Coppa Volta in Como, leaving old "Poldo" Conti speechless The "Gazzetta dello Sport", the day after his official debut in the Italian championship on 12 September 1927, praised his game "intelligent, fresh, quick", something that didn't happen very frequently during those days.

Meazza was born in Porta Vittoria, Milan. Having lost his father in 1917 during the tragic fighting of World War I at the age of seven, young Peppe grew up in Milan with his mother, Ersilia who came from Mediglia, helping her sell fruit at the market. However, it was football that was his true calling. His mother hid his shoes so he would not waste his time, so young Peppin learned to play barefoot. He began playing at six years old on the streets on a team named the "Maestri Campionesi" who played with a ball made of rags. At twelve years old he finally got permission from his mother to pursue being a footballer, and began playing for Gloria F.C.. It was here that a fan bought him his first proper pair of football boots.

Meazza was the first Italian football player who became famous worldwide, and was the first player with personal sponsors. He loved his cabriolet, champagne and women and was the only player on the national team that was allowed to smoke. Meazza was famous for humiliating the best defenders of the era and for sleeping at a brothel the night before a match. With his plush touch on the ball, he would cause panic in the robust defenders from an era where two footed tackles from behind were often waved on. Sometimes he would not get out of bed until his teammates were already done practicing. He also loved the Tango and used this proficiency to make him unpredictable on the field and could score goals at fox-trot tempo. He was a superb dribbler who despite his speed, never had a single brylcreemed hair out of place, and although he was not tall, was remarkably good in the air. Meazza created many chances for his teammates and scored goals as well. His goals "a foglia morta", the "dead leaf technique", were also feared by goalkeepers. He was a brilliant passer, both-footed, had remarkable field vision and was noted for his turns and spins.

His trademark goals were ones where he would collect the ball at the half-line, dribble through several opponents with a series of twinkle-toed shuffles, and turns, until arriving in front of the goal, where he would stop and invite the goalkeeper to attack him like a matador, before faking a shot, then dribbling past the beaten goalkeeper to slot home easily. In away games, the defenders would often foul and hack him to avoid being humiliated. "Gol alla Meazza" and "finte alla Meazza" have since become popular sayings for Italian football fans to describe a truly inspiring goal off the dribble or a series of jukes. His goals “ad invito”, where he would invite the goalkeeper out before dribbling around him is yet another popular saying. Meazza once said, "There is nothing worse than having a penalty kick saved by a keeper who didn't understand the fake."

Vittorio Pozzo, the mastermind coach behind both Italian World Cup victories, wrote of him: "He was a born forward. He saw the game, understood the situation, distributed the ball carefully and made the team offense operate. Having him on the team was like starting the game 1–0 up."

Gianni Brera called him "Il Folber", and his style of play the "fasso-tuto-mi" because he considered him the complete central midfielder and a nimble acrobat. "He was only Italian that stood out amongst the sensational Brazilians and Argentines" said Brera.

Peppino Prisco, who became vice-president of Internazionale in 1963 and won every trophy possible with the club considered him the best of all time and said, "Meazza was great, unbeatable, even if he would occasionally run into a frightful crisis, caused by his intense sexual activity and his passion for the game. When he took over on the field, he did things that left the mouth ajar."

Bruno Acari IV, who played with Meazza on AC Milan and later coached, once said that "Peppino never wanted to hear about tactics. He was a simple person who became a king when he entered the goal box, with a technical ability that was comparable to Pelé."

San Siro, the principal stadium in his native city of Milan, which is today shared by Internazionale and crosstown rivals AC Milan, is now officially called Stadio Giuseppe Meazza.

Read more about this topic:  Giuseppe Meazza

Famous quotes containing the words early, life and/or technical:

    We are living now, not in the delicious intoxication induced by the early successes of science, but in a rather grisly morning-after, when it has become apparent that what triumphant science has done hitherto is to improve the means for achieving unimproved or actually deteriorated ends.
    Aldous Huxley (1894–1963)

    When in a serious mood, it seems to me that those people are illogical who feel an aversion toward death. As far as I can see, life consists exclusively of horrors, unpleasantnesses and banalities, now merging, now alternating.
    Anton Pavlovich Chekhov (1860–1904)

    A technical objection is the first refuge of a scoundrel.
    Heywood Broun (1888–1939)