Giovanni Bellini - Works

Works

  • Madonna with Child (1450–1555) -
  • Madonna with Child (c. 1455) -
  • Dead Christ Supported by the Madonna and St. John (1455) -
  • Crucifixion (c. 1455) -
  • Transfiguration (c. 1455–1460) -
  • Dead Christ Supported by the Madonna and St. John (1460) -
  • Dead Christ Supported by Two Angels (Pietà, c. 1460) -
  • Dead Christ in the Sepulchre (c. 1460) -
  • Blessing Christ (c. 1460) -
  • The Blood of Christ (c. 1460) -
  • Madonna and Child (1460–1464) -
  • Madonna with Child Blessing (1460–1464) -
  • Madonna with Child (Greek Madonna, 1460–1464) -
  • Madonna and Child (1460–1464) -
  • Madonna and Child (1460–1464) -
  • Presentation at the Temple (1460–1464) -
  • Head of the Baptist (1464–1468) -
  • Polyptych of S. Vincenzo Ferreri (1464–1468) -
  • Agony in the Garden (c. 1465) -
  • Pietà (1472) -
  • Dead Christ Supported by Angels (c. 1474) -
  • Madonna Enthroned Adoring the Sleeping Child (1475) -
  • Madonna with Child (c. 1475) -
  • Madonna with Child (c. 1475) -
  • Madonna in Adoration of the Sleeping Child (c. 1475) -
  • Madonna with Blessing Child (1475–1480)
  • Portrait of a Humanist (1475–1480) -
  • Resurrection of Christ (1475–1479) -
  • St. Francis in Ecstasy (c. 1480) -
  • Transfiguration of Christ (c. 1480) -
  • St. Jerome Reading in the Countryside (1480–1485) -
  • Madonna Willys (1480–1490) -
  • Madonna and Child (1480–1490) -
  • Madonna of Red Angels (1480–1490) -
  • Portrait of a Condottiero -
  • Portrait of a Young Man in Red (1485–1490) -
  • Madonna degli Alberetti (1487) -
  • Madonna and Child (1485–1490) -
  • San Giobbe Altarpiece (c. 1487) -
  • Madonna with Child and Sts. Peter and Sebastian (c. 1487) -
  • Frari Triptych (1488) -
  • Barbarigo Altarpiece (1488) -
  • Sacred Conversation (1490) -
  • Allegories (c. 1490) -
  • Sacred Conversation (c. 1490) -
  • Holy Allegory (c. 1490) -
  • Portrait of a Gentleman (1490–1500) -
  • The Lamentation over the Body of Christ (c. 1500) -
  • Angel Announcing and Virgin Announciated (c. 1500) -
  • Portrait of a Young Man (c. 1500) -
  • Portrait of a Young Man (c. 1500) -
  • Portrait of a Young Senator (1500) -
  • Portrait of Doge Leonardo Loredan (1501) -
  • Baptism of Christ (1500–1502) -
  • Head of the Redeemer (1500–1502) -
  • Madonna and Child with St. John the Baptist and a Saint (1500–1504) -
  • Crucifixion (1501–1503) -
  • Sermon of St. Mark in Alexandria (1504–1507) -
  • Holy Conversation (1505–1510) -
  • San Zaccaria Altarpiece (1505) -
  • Madonna of the Meadow (Madonna del Prato; 1505) -
  • Pietà (1505) -
  • St. Jerome in the Desert (1505) -
  • The Assassination of Saint Peter Martyr (1507) -
  • Madonna and Child with Four Saints and Donator (1507) -
  • Continence of Scipio (1507–1508) -
  • The Murder of St. Peter the Martyr (1509) -
  • Madonna and Child Blessing (1510) -
  • Madonna with Child (c. 1510) -
  • Saints Christopher, Jerome and Louis of Toulouse (1513) -
  • Feast of the Gods (1514) -
  • Young Bacchus (c. 1514) -
  • Naked Young Woman in Front of the Mirror (1515) -
  • Portrait of Teodoro of Urbino (1515) -
  • Deposition (c. 1515) -
  • Drunkenness of Noah (c. 1515) -


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Famous quotes containing the word works:

    “The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
    —Herman Melville (1819–1891)

    “Audible prayer can never do the works of spiritual understanding, which regenerates; but silent prayer, watchfulness, and devout obedience enable us to follow Jesus’ example. Long prayers, superstition, and creeds clip the strong pinions of love, and clothe religion in human forms. Whatever materializes worship hinders man’s spiritual growth and keeps him from demonstrating his power over error.”
    —Mary Baker Eddy (1821–1910)

    “All his works might well enough be embraced under the title of one of them, a good specimen brick, “On Heroes, Hero-Worship, and the Heroic in History.” Of this department he is the Chief Professor in the World’s University, and even leaves Plutarch behind.”
    —Henry David Thoreau (1817–1862)