Works
Dostoyevsky's works of fiction include 15 novels and novellas, 17 short stories, and 5 translations. Many of his longer novels were first published in serialised form in literary magazines and journals (see the individual articles). The years given below indicate the year in which the novel's final part or first complete book edition was published. In English many of his novels and stories are known by different titles.
Plays
- (~1844) The Jew Yankel (unknown whether finished or not; title based on Gogol's character from Taras Bulba)
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Novels and novellas
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Short stories
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Essays
- Winter Notes on Summer Impressions (1863)
- A Writer's Diary (Дневник писателя, 1873–1881)
- Letters (collected in English translations in five volumes of Complete Letters)
Translations
- (1843) Eugénie Grandet, (Honore de Balzac)
- (1843) La dernière Aldini (George Sand)
- (1843) Mary Stuart (Friedrich Schiller)
- (1843) Boris Godunov (Alexander Pushkin)
Read more about this topic: Fyodor Dostoyevsky
Famous quotes containing the word works:
“There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
—Ralph Waldo Emerson (1803–1882)
“We ourselves are Jews by birth and not Gentile sinners; yet we know that a person is justified not by the works of the law but through faith in Jesus Christ. And we have come to believe in Christ Jesus, so that we might be justified by faith in Christ, and not by doing the works of the law, because no one will be justified by the works of the law.”
—Bible: New Testament, Galatians 2:15-16.
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)