Works
His works were collected and published by a number of his adherents — F Hoffman, J Hamberger, E v. Schaden, Lutterbeck, von Osten-Sacken and Schluter — Baader's sämmtliche Werke (16 vols., 1851–1860). Valuable introductions by the editors are prefixed to the several volumes. Vol. xv. contains a full biography; vol. xvi. an index, and an able sketch of the whole system by Lutterbeck. See F Hoffmann, Vorhalle zur spekulativen Lehre Baaders (1836); Grundzüge der Societäts-Philosophie Franz Baaders (1837); Philosophische Schriften (3 vols., 1868–1872); Die Weltalter (1868); Biographie und Briefwechsel (Leipzig, 1887); J Hamberger, Cardinalpunkte der Baaderschen Philosophie (1855); Fundamentalbegriffe von F. B.'s Ethik, Politik, u. Religions-Philosophie (1858); JAB Lutterbeck, Philosophische Standpunkte Baaders (1854); Baaders Lehre vom Weltgebäude (1866).
The most satisfactory surveys are those given by Erdmann, Versuch einer Gesch. d. neuern Phil. iii. 2, pp. 583–636; J Claassen, Franz von Baaders Leben und theosophische Werke (Stuttgart, 1886–1887), and Franz von Baaders Gedanken über Staat und Gesellschaft (Gütersloh, 1890); Otto Pfleiderer, Philosophy of Religion (vol. ii., Eng. trans. 1887); Richard Falckenberg, History of Philosophy, pp. 472–475 (trans. AC Armstrong, New York, 1893); Reichel, Die Sozietätsphilosophie Franz v. Baaders (Tübingen, 1901); Kuno Fischer, Zur hundertjährigen Geburtstagfeier Baaders (Erlangen, 1865).
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Famous quotes containing the word works:
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
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“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
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