Works
His works were collected and published by a number of his adherents — F Hoffman, J Hamberger, E v. Schaden, Lutterbeck, von Osten-Sacken and Schluter — Baader's sämmtliche Werke (16 vols., 1851–1860). Valuable introductions by the editors are prefixed to the several volumes. Vol. xv. contains a full biography; vol. xvi. an index, and an able sketch of the whole system by Lutterbeck. See F Hoffmann, Vorhalle zur spekulativen Lehre Baaders (1836); Grundzüge der Societäts-Philosophie Franz Baaders (1837); Philosophische Schriften (3 vols., 1868–1872); Die Weltalter (1868); Biographie und Briefwechsel (Leipzig, 1887); J Hamberger, Cardinalpunkte der Baaderschen Philosophie (1855); Fundamentalbegriffe von F. B.'s Ethik, Politik, u. Religions-Philosophie (1858); JAB Lutterbeck, Philosophische Standpunkte Baaders (1854); Baaders Lehre vom Weltgebäude (1866).
The most satisfactory surveys are those given by Erdmann, Versuch einer Gesch. d. neuern Phil. iii. 2, pp. 583–636; J Claassen, Franz von Baaders Leben und theosophische Werke (Stuttgart, 1886–1887), and Franz von Baaders Gedanken über Staat und Gesellschaft (Gütersloh, 1890); Otto Pfleiderer, Philosophy of Religion (vol. ii., Eng. trans. 1887); Richard Falckenberg, History of Philosophy, pp. 472–475 (trans. AC Armstrong, New York, 1893); Reichel, Die Sozietätsphilosophie Franz v. Baaders (Tübingen, 1901); Kuno Fischer, Zur hundertjährigen Geburtstagfeier Baaders (Erlangen, 1865).
Read more about this topic: Franz Xaver Von Baader
Famous quotes containing the word works:
“The works of the great poets have never yet been read by mankind, for only great poets can read them. They have only been read as the multitude read the stars, at most astrologically, not astronomically.”
—Henry David Thoreau (1817–1862)
“They that go down to the sea in ships, that do business in great waters, these see the works of the Lord and his wonders in the deep.”
—Bible: Hebrew Psalms 107:23-24.
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)