Frank Wedekind - Works

Works

Wedekind's first major play, Frühlings Erwachen (Spring Awakening, 1891), which concerns sexuality and puberty among some young German students, caused a scandal, as it contained scenes of homoeroticism, implied group male masturbation, actual male masturbation, sado-masochism between a teenage boy and girl, rape, and suicide, as well as references to abortion. In 2006, it was adapted into a successful Broadway musical, Spring Awakening.

The "Lulu" plays Erdgeist (Earth Spirit, 1895) and Die Büchse der Pandora (Pandora's Box, 1904) are probably his best known works. Originally conceived as a single play, the two pieces tell a continuous story of a sexually-enticing young dancer who rises in German society through her relationships with wealthy men, but who later falls into poverty and prostitution. The frank depiction of sexuality and violence in these plays, including lesbianism and an encounter with Jack the Ripper (a role which Wedekind played himself in the original production), pushed the boundaries of what was considered acceptable on the stage at the time. Karl Kraus helped Wedekind to also stage in Vienna.

The "Lulu" plays formed the basis for G W Pabst's acclaimed silent film Pandora's Box (1929), starring Louise Brooks as Lulu, and Alban Berg's incomplete opera Lulu (1937), which is considered to be one of the masterpieces of twentieth-century opera. (Berg's opera Lulu was ultimately completed by composer Friedrich Cerha, based on Berg's nearly completed manuscripts released long after the composer's 1935 death. A full three act version was first performed in Paris in 1979 under the musical direction of Pierre Boulez). Currently the plays are being adapted into comics by John Linton Roberson. They also form the basis for the 2011 album Lulu, a collaboration between the rock musician Lou Reed and the heavy metal band Metallica.

Der Kammersänger (The Court-Singer, 1899) is a one-act character study of a famous opera singer who receives a series of unwelcome guests at his hotel suite. An opera in English, under the title "The Tenor" was written by composer Hugo Weisgall. In Franziska (1910), the title character, a young girl, initiates a Faustian pact with the Devil, selling her soul for the knowledge of what it is like to live life as a man (reasoning that men seem to have all the advantages). Wedekind's symbolist novella Mine-Haha, or On the Bodily Education of Young Girls (1903) was the basis for the film Innocence (2004) by Lucile Hadžihalilović and The Fine Art of Love (2005) by John Irvin.

A number of Wedekind's works were translated into English by Samuel Atkins Eliot, Jr.

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