Characters
The stories involving these characters occur in the surreal world Woodring calls the Unifactor.
- Frank
- A bipedal, bucktoothed animal of uncertain species with a short tail, described by Woodring as a "generic anthropomorph" and "naive but not innocent", "completely naive, capable of sinning by virtue of not knowing what he's really about." The character design is reminiscent those of old American animated shorts from the 1920s and 1930s, such as from Fleischer Studios. Usually he appears in black and white, but when he appears in color his fur is purple.
- Manhog
- An "unholy hybrid of human ambivalence". Woodring says he sympathizes with Manhog: "He is very much at a disadvantage because of his looks and his weak character. He’d be good if he could, and when given a chance, he is good. But he has no discipline, no grit, no ability to select a better path and stick with it." Earlier, however, Woodring had said he was "completely craven, incapable of a good act."
- Whim
- Perpetually smiling, devilish character who inhabits a body with a moon-shaped head, "the spirit of politics". When the body is destroyed, it turns out that Whim is actually a "tiny, malicious worm" that is able to crawl inside others (including Frank) and has the power of transformation. According to Woodring, "e’s a conniver, a user. His body can be smashed, but he always gets a new one. Much in the same way that politicians are more or less interchangeable. They surrender their individuality to be part of that hideous game."
- The Jerry Chickens
- Mischievous chicken-like characters, each a different geometric shape
- Pupshaw
- A female canine-like "godling" companion whom Frank bought from one of the Jerry Chickens in an early story. Faithful protector to Frank.
- Pushpaw
- Male counterpart to Pupshaw.
Read more about this topic: Frank (comics)
Famous quotes containing the word characters:
“His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
—Vladimir Nabokov (1899–1977)
“Animals are stylized characters in a kind of old saga—stylized because even the most acute of them have little leeway as they play out their parts.”
—Edward Hoagland (b. 1932)
“Unresolved dissonances between the characters and dispositions of the parents continue to reverberate in the nature of the child and make up the history of its inner sufferings.”
—Friedrich Nietzsche (1844–1900)