Setting
The majority of the stories are set in the fictional world of Nehwon, many of them in and around its greatest city, Lankhmar. It is described as "a world like and unlike our own". Theorists in Nehwon believe that it may be shaped like a bubble, floating in the waters of eternity.
Technology in Nehwon varies between the Iron Age and the medieval. Leiber wrote of Lankhmarts: "They may be likened to the Romans or be thought of as, if I may use such a term, southern medievals." About his Eastern Lands, he wrote "think of Saracens, Arabs, Parthians, Assyrians even. They ride the camel and elephant, and use the bow extensively."
The series includes many bizarre and outlandish characters. The two who most influence—and, some would say, cause the most trouble for—Fafhrd and the Gray Mouser are their sorcerous advisors, Ningauble of the Seven Eyes and Sheelba of the Eyeless Face. These two lead the two heroes into some of their most interesting and dangerous adventures.
Read more about this topic: Fafhrd And The Gray Mouser
Famous quotes containing the word setting:
“When I consider the clouds stretched in stupendous masses across the sky, frowning with darkness or glowing with downy light, or gilded with the rays of the setting sun, like the battlements of a city in the heavens, their grandeur appears thrown away on the meanness of my employment; the drapery is altogether too rich for such poor acting. I am hardly worthy to be a suburban dweller outside those walls.”
—Henry David Thoreau (1817–1862)
“With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.”
—Henry David Thoreau (1817–1862)
“We believe that Carlyle has, after all, more readers, and is better known to-day for this very originality of style, and that posterity will have reason to thank him for emancipating the language, in some measure, from the fetters which a merely conservative, aimless, and pedantic literary class had imposed upon it, and setting an example of greater freedom and naturalness.”
—Henry David Thoreau (1817–1862)