History
Elgar's account of the piece's genesis was that after a tiring day of teaching in 1898, he was daydreaming at the piano. A melody he played caught the attention of his wife Alice, who liked it and asked him to repeat it for her. So, to entertain her, he began to improvise variations on this melody, each one either a musical portrait of one of their friends, or in the musical style they might have used. Elgar eventually expanded and orchestrated these improvisations into the Enigma Variations. He considered including variations portraying Arthur Sullivan and Hubert Parry, but was unable to assimilate their musical styles without pastiche, and dropped the idea.
The piece was first performed at St James's Hall, London, on 19 June 1899, conducted by Hans Richter. Critics were at first irritated by the layer of mystification, but most praised the substance, structure, and orchestration of the work. Elgar revised the final variation, adding 100 new bars and an organ part; the new version, the one usually played today, was played at the Worcester Three Choirs Festival on 13 September 1899, with Elgar conducting.
The European continental premiere was performed in Düsseldorf, Germany on 7 February 1901, under Julius Buths (who would also conduct the European premiere of The Dream of Gerontius in December 1901). The work quickly achieved many international performances, from Saint Petersburg, where it delighted Alexander Glazunov and Nikolai Rimsky-Korsakov in 1904, to New York, where Gustav Mahler conducted it in 1910.
Read more about this topic: Enigma Variations
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