Form
Each English country dance is based around a fixed series of movements, called figures, which are uniquely paired with a piece of music. The choreography dictates the interactions between partners and between couples in a set. A set is a group of couples, most commonly two or three, but sometimes four, that interact during a single progression. Rarely, dances call for five or six couples in a set. Most commonly, English country dances are longways and progressive. Multiple sets of couples form two long lines, along which couples travel at the end of each iteration of figures, meeting new couples and repeating the series of figures many times. Alternately, dances can be finite, a set forming an independent unit within which the series of figures are repeated a limited number of times. These dances are often non-progressive, each couple retaining their original positions.
Read more about this topic: English Country Dance
Famous quotes containing the word form:
“Uprises there
A mother’s form upon my ken,
Guiding my infant steps, as when
We walked that ancient, thoroughfare,
The Roman Road.”
—Thomas Hardy (1840–1928)
“The importance of its hat to a form becomes
More definite. The sweeping brim of the hat
Makes of the form Most Merciful Capitan,
If the observer says so....”
—Wallace Stevens (1879–1955)
“Since the Greeks, Western man has believed that Being, all Being, is intelligible, that there is a reason for everything ... and that the cosmos is, finally, intelligible. The Oriental, on the other hand, has accepted his existence within a universe that would appear to be meaningless, to the rational Western mind, and has lived with this meaninglessness. Hence the artistic form that seems natural to the Oriental is one that is just as formless or formal, as irrational, as life itself.”
—William Barrett (b. 1913)