Form
Each English country dance is based around a fixed series of movements, called figures, which are uniquely paired with a piece of music. The choreography dictates the interactions between partners and between couples in a set. A set is a group of couples, most commonly two or three, but sometimes four, that interact during a single progression. Rarely, dances call for five or six couples in a set. Most commonly, English country dances are longways and progressive. Multiple sets of couples form two long lines, along which couples travel at the end of each iteration of figures, meeting new couples and repeating the series of figures many times. Alternately, dances can be finite, a set forming an independent unit within which the series of figures are repeated a limited number of times. These dances are often non-progressive, each couple retaining their original positions.
Read more about this topic: English Country Dance
Famous quotes containing the word form:
“It is against Stupidity in every shape and form that we have to wage our eternal battle. But how can we wonder at the want of sense on the part of those who have had no advantages, when we see such plentiful absence of that commodity on the part of those who have had all the advantages?”
—William Booth (1829–1912)
“Ambivalence reaches the level of schizophrenia in our treatment of violence among the young. Parents do not encourage violence, but neither do they take up arms against the industries which encourage it. Parents hide their eyes from the books and comics, slasher films, videos and lyrics which form the texture of an adolescent culture. While all successful societies have inhibited instinct, ours encourages it. Or at least we profess ourselves powerless to interfere with it.”
—C. John Sommerville (20th century)
“Have you never been moved by poor men’s fidelity, the image of you they form in their simple minds? Why should you always talk of their envy, without understanding that what they ask of you is not so much your worldly goods, as something very hard to define, which they themselves can put no name to; yet at times it consoles their loneliness; a dream of splendor, of magnificence, a tawdry dream, a poor man’s dream—and yet God blesses it!”
—Georges Bernanos (1888–1948)