Form
Each English country dance is based around a fixed series of movements, called figures, which are uniquely paired with a piece of music. The choreography dictates the interactions between partners and between couples in a set. A set is a group of couples, most commonly two or three, but sometimes four, that interact during a single progression. Rarely, dances call for five or six couples in a set. Most commonly, English country dances are longways and progressive. Multiple sets of couples form two long lines, along which couples travel at the end of each iteration of figures, meeting new couples and repeating the series of figures many times. Alternately, dances can be finite, a set forming an independent unit within which the series of figures are repeated a limited number of times. These dances are often non-progressive, each couple retaining their original positions.
Read more about this topic: English Country Dance
Famous quotes containing the word form:
“Others form man; I tell of him, and portray a particular one, very ill-formed, whom I should really make very different from what he is if I had to fashion him over again. But now it is done.”
—Michel de Montaigne (1533–1592)
“Nihilism as a symptom that the losers have no more consolation: that they destroy in order to be destroyed, that without morality they no longer have any reason to “resign themselves”Mthat they put themselves on the level of the opposite principle and for their part also want power in that they compel the mighty to be their hangmen. This is the European form of Buddhism, renunciation, once all existence has lost its “meaning.””
—Friedrich Nietzsche (1844–1900)
“I have discovered the most exciting, the most arduous literary form of all, the most difficult to master, the most pregnant in curious possibilities. I mean the advertisement.... It is far easier to write ten passably effective Sonnets, good enough to take in the not too inquiring critic, than one effective advertisement that will take in a few thousand of the uncritical buying public.”
—Aldous Huxley (1894–1963)