English Country Dance is a form of social folk dance which originated in Renaissance England, and was popular until the early 19th century in parts of Europe, the American colonies and the United States. It is the ancestor of several other folk dances, including contra and square dance. English country dance was revived in the early 20th century as a part of the larger English folk revival, and is practiced today primarily in North America and Britain. In Britain, this form is often referred to as "Playford", while "country dance" is applied to a range of English folk dances.
Read more about English Country Dance: Form, History, Influence, Some (modern) English Country Dance Terms
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“English audiences of working people are like an instrument that responds to the player. Thought ripples up and down them, and if in some heart the speaker strikes a dissonance there is a swift answer. Always the voice speaks from gallery or pit, the terrible voice which detaches itself in every English crowd, full of caustic wit, full of irony or, maybe, approval.”
—Mary Heaton Vorse (1874–1966)
“There were three classes of inhabitants who either frequent or inhabit the country which we had now entered: first, the loggers, who, for a part of the year, the winter and spring, are far the most numerous, but in the summer, except for a few explorers for timber, completely desert it; second, the few settlers I have named, the only permanent inhabitants, who live on the verge of it, and help raise supplies for the former; third, the hunters, mostly Indians, who range over it in their season.”
—Henry David Thoreau (1817–1862)
“The things a man has to have are hope and confidence in himself against odds, and sometimes he needs somebody, his pal or his mother or his wife or God, to give him that confidence. He’s got to have some inner standards worth fighting for or there won’t be any way to bring him into conflict. And he must be ready to choose death before dishonor without making too much song and dance about it. That’s all there is to it.”
—Clark Gable (1901–1960)