Music Hall
Music hall developed as a result of the rapid industrialisation and urbanisation of previously rural populations in the nineteenth century. The new urban communities, cut off from their cultural roots, required new and accessible means of entertainment. Music halls were originally bars, which provided entertainment in the form of music and speciality acts for their patrons. By the middle years of the 19th century, the first purpose-built music halls were being built in London. The halls created a demand for new and catchy popular songs that could no longer be met from the traditional folk repertoire. Professional songwriters were enlisted to fill the gap. By the turn of the century, music hall was dominated by song writing companies and theatre chains, such as that of Sir Oswald Stoll. Music hall songs are characterized by a simple beat and a strong melody or tune, which can be easily acquired by the audience. Typically, a music hall song consists of a series of verses sung by the performer alone and a repeated chorus, which carries the principal melody and in which the audience is encouraged to join. Leading music hall stars included: Marie Lloyd, Harry Champion, George Formby, Vesta Tilley, Gus Elen, Little Tich, Gracie Fields, Flanagan and Allen. Musical hall composers included Lionel Monckton, Felix Powell, and Noel Gay.
Read more about this topic: Early British Popular Music
Famous quotes containing the words music and/or hall:
“Morning work! By the blushes of Aurora and the music of Memnon, what should be man’s morning work in this world?”
—Henry David Thoreau (1817–1862)
“The actors today really need the whip hand. They’re so lazy. They haven’t got the sense of pride in their profession that the less socially elevated musical comedy and music hall people or acrobats have. The theater has never been any good since the actors became gentlemen.”
—W.H. (Wystan Hugh)