Early British popular music, in the sense of commercial music enjoyed by the people, can be seen to originate in the sixteenth and seventeenth centuries with the arrival of the broadside ballad as a result of the print revolution, which were sold cheaply and in great numbers until the nineteenth century. Further technological, economic and social changes led to new forms of music in the nineteenth century, including the brass band, which produced a popular and communal form of classical music. Similarly, the Music hall sprang up to cater for the entertainment of new urban societies, adapting existing forms of music to produce popular songs and acts. In the 1930s, the influence of American Jazz led to the creation of British dance bands, who provided a social and popular music that began to dominate social occasions and the radio airwaves.
Read more about Early British Popular Music: Broadside Ballads, Brass Bands, Parlour Music, Music Hall, Dance Bands (big Bands)
Famous quotes containing the words popular music, early, british, popular and/or music:
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)
“We passed the Children’s Bureau bill calculated to prevent children from being employed too early in factories.”
—William Howard Taft (1857–1930)
“In New York—whose subway trains in particular have been “tattooed” with a brio and an energy to put our own rude practitioners to shame—not an inch of free space is spared except that of advertisements.... Even the most chronically dispossessed appear prepared to endorse the legitimacy of the “haves.””
—Gilbert Adair, British author, critic. “Cleaning and Cleansing,” Myths and Memories (1986)
“I do not see why, since America and her autumn woods have been discovered, our leaves should not compete with the precious stones in giving names to colors; and, indeed, I believe that in course of time the names of some of our trees and shrubs, as well as flowers, will get into our popular chromatic nomenclature.”
—Henry David Thoreau (1817–1862)
“He turned out to belong to the type of publisher who dreams of becoming a male muse to his author, and our brief conjunction ended abruptly upon his suggesting I replace chess by music and make Luzhin a demented violinist.”
—Vladimir Nabokov (1899–1977)