Production
Wanting to break from the Western influences common in his other series, Akira Toriyama loosely modeled Dragon Ball on the classic Chinese novel Journey to the West. He also redeveloped one of his earlier one shot manga series, Dragon Boy, which was initially serialized in Fresh Jump and released in a single tankōbon volume in 1983. This short work combined the comedic style of Toriyama's successful four-year series Dr. Slump with a more action-oriented plot and paid homage to famous martial art actor Jackie Chan. Toriyama notes that his goal for the series was to tell an "unconventional and contradictory" story.
In the early concept of the series, Goku and Piccolo were from Earth. With the introduction of Kami, the idea of having fights from other planets was established and Goku and Piccolo were changed to alien species. For the female characters, Toriyama felt it was not fun to draw "weak females" so he created women that he felt were not only "beautiful and sexy", but also "strong". Going against the normal convention that the strongest characters should be the largest in terms of physical size, he designed many of Dragon Ball's most powerful characters with small statures, including the protagonist, Goku.
The fighting techniques were initially unnamed, but the series editor felt it would be better to name them all. Toriyama proceeded to create names for all of the techniques, except for the Kamehameha which his wife named when Toriyama was indecisive about what it should be called. When creating the fictional world of the series, Toriyama decided to create it from his own imagination to avoid referencing popular culture. However the island where the Tenka'ichi Budōkai tournament is held is modeled after Bali. When including fights in the manga, Toriyama had the characters go to uninhabited locations to avoid difficulties in drawing destroyed buildings. In order to advance the story quickly, he also gave most fighters the ability to fly so they could travel to other parts of the world without inconvenience. This was also the reasoning behind Goku learning to use Shunkan Idō (瞬間移動, lit. "Instant Teleport"?, renamed "Instant Transmission" in Funimation's dub) (thus allowing characters to teleport to any planet in a second).
After the first chapters were released, readers commented that Goku seemed rather plain, so his appearance was changed. New characters (such as Kame-Sen'nin and Kuririn) were added and martial arts tournaments were included to give the manga a greater emphasis on fighting. Anticipating that readers would expect Goku to win the tournaments, Toriyama had him lose the first two while continuing his initial goal of having Goku be the champion and hero. After Cell's death, he intended for Gohan to replace Goku as the series' protagonist, but then felt the character was not suited for the role and changed his mind.
Toriyama based the Red Ribbon Army on a video game he had played named Spartan X in which enemies tended to appear very fast. After the second tournament concluded, Toriyama wanted to have a villain who would be a true "bad guy". After creating Piccolo as the new villain, he noted that it was one of the most interesting parts of the stories and that he and his son became the favorite characters of the series. With Goku established as the strongest fighter on Earth, Toriyama decided to increase the number of villains that came from outer space. Finding the escalating enemies to be a pain to work with, he created the Ginyu Force to add more balance to the series. During this period of the series, Toriyama placed less emphasis on the series' art work, simplifying the lines and sometimes making things "too square." He found himself having problems determining the colors for characters and sometimes ended up changing them unintentionally mid-story. In later accounts, Toriyama noted that he didn't plan out the details of the story, resulting in strange occurrences and discrepancies later in the series.
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Famous quotes containing the word production:
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (18171862)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (18181883)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (18091882)