Dorothy Gish - Early Life

Early Life

Gish was born in Dayton, Ohio. She had an older sister, Lillian. The Gish sisters' mother, Mary Robinson McConnell "Gish", supported the family after her husband, James Leigh Gish, abandoned the family. When they were old enough, Dorothy and Lillian were brought into their mother's act, and they also modeled. In 1912, their childhood friend, actress Mary Pickford, introduced them to director D.W. Griffith, and the sisters began acting at the Biograph Studios. Dorothy and Lillian Gish both debuted in Griffith's An Unseen Enemy. Dorothy would go on to star in over 100 short films and features, many of them with Lillian.

Linda Arvidson, Griffith's wife recalled in her autobiography, When The Movies Were Young:

Lillian and Dorothy just melted right into the studio atmosphere without causing a ripple. For quite a long time they merely did extra work in and out of pictures. Especially Dorothy, as Mr. Griffith paid her no attention whatsoever and she kept on crying and trailed along. She also continued to play in many one and two reel Biograph films, learning the difficult technique of silent film acting, and preparing for opportunity when it came. Dorothy was still a person of insignificance, but she was a good sport about it; a likable kid, a bit too perky to interest the big director, so her talents blushed unnoticed by Mr. Griffith. In 'The Unseen Enemy' the sisters made their first joint appearance. Lillian regarded Dorothy with all the superior airs and graces of her rank. At a rehearsal of 'The Wife', of Belasco and DeMille fame, in which picture I played the lead, and Dorothy the ingénue, Lillian was one day an interested spectator. She was watching intently, for Dorothy had had so few opportunities, and now was doing so well, Lillian was unable to contain her surprise, and as she left the scene she said: 'Why, Dorothy is good; she's almost as good as I am.' Many more than myself thought Dorothy was better.

Read more about this topic:  Dorothy Gish

Famous quotes containing the words early and/or life:

    ...to many a mother’s heart has come the disappointment of a loss of power, a limitation of influence when early manhood takes the boy from the home, or when even before that time, in school, or where he touches the great world and begins to be bewildered with its controversies, trade and economics and politics make their imprint even while his lips are dewy with his mother’s kiss.
    J. Ellen Foster (1840–1910)

    All my life I believed I knew something. But then one strange day came when I realized that I knew nothing, yes, I knew nothing. And so words became void of meaning ... I have arrived too late at ultimate uncertainty.
    Ezra Pound (1885–1972)