Music
Doolittle features an eclectic mix of musical styles. While tracks such as "Tame" and "Crackity Jones" are fast and aggressive, and incorporate the band's trademark loud–quiet dynamic, other songs such as "Silver", "I Bleed", and "Here Comes Your Man" reveal a quieter, slower and more melodic temperament. With Doolittle, the band began to incorporate further instruments into their sound; for instance, "Monkey Gone to Heaven" features two violins and two cellos. Several tracks on Doolittle are constructed around simple repeating chord progressions.
"Tame" is based on a three chord formula; including Joey Santiago's playing a "Hendrix chord" over the main bass progression. "I Bleed" is melodically simple, and is formed around a single rhythmical repetition. Some songs are influenced by other genres of music; while "Crackity Jones" has a distinctly Spanish sound, and incorporates G♯ and A triads over a C♯ pedal, the song's rhythm guitar, played by Francis, starts with an eighth-note downstroke typical of punk rock music.
Read more about this topic: Doolittle (album)
Famous quotes containing the word music:
“If you really believe music is dangerous, you should let it go in one ear and out the other.”
—José Bergamín (1895–1983)
“The time was once, when thou unurged wouldst vow
That never words were music to thine ear,
That never object pleasing in thine eye,
That never touch well welcome to thy hand,
That never meat sweet-savored in thy taste,
Unless I spake, or looked, or touched, or carved to thee.”
—William Shakespeare (1564–1616)
“Sweet spring, full of sweet days and roses,
A box where sweets compacted lie;
My music shows ye have your closes,
And all must die.”
—George Herbert (1593–1633)