Description of Style
The Donegal style of fiddling is a label often applied to music from this area, though one also might plausibly identify several different, but related, styles within the county. To the extent to which there is one common style in the county, it is characterized by a rapid pace; a tendency to be more un-swung in the playing of the fast dance tune types (reel and jigs); short (non-slurred), aggressive bowing, sparse ornamentation, the use of bowed triplets more often than trills as ornaments, the use of double stops and droning; and the occurrence of "playing the octave", with one player playing the melody and the other playing the melody an octave lower. None of these characteristics are universal, and there is some disagreement as to the extent to which there is a common style at all. In general, however, the style is rather aggressive.
Another feature of Donegal fiddling that makes it distinctive among Irish musical traditions is the variety of rare tune types that are played. Highlands, a type of tune in 4/4 time with some similarities to Scottish strathspeys, which are also played in Donegal, are one of the most commonly played types of tune in the county. Other tune types common solely in the county include barndances, also called "Germans," and mazurkas.
Read more about this topic: Donegal Fiddle Tradition
Famous quotes containing the words description of, description and/or style:
“As they are not seen on their way down the streams, it is thought by fishermen that they never return, but waste away and die, clinging to rocks and stumps of trees for an indefinite period; a tragic feature in the scenery of the river bottoms worthy to be remembered with Shakespeare’s description of the sea-floor.”
—Henry David Thoreau (1817–1862)
“As they are not seen on their way down the streams, it is thought by fishermen that they never return, but waste away and die, clinging to rocks and stumps of trees for an indefinite period; a tragic feature in the scenery of the river bottoms worthy to be remembered with Shakespeare’s description of the sea-floor.”
—Henry David Thoreau (1817–1862)
“Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.”
—William Burroughs (b. 1914)