The Donegal fiddle tradition is the way of playing the fiddle fiddle that is traditional in County Donegal, Ireland. It is one of the distinct fiddle traditions within Irish traditional music.
The distinctness of the Donegal tradition developed due to the close relations between Donegal and Scotland, and the Donegal repertoire and style has influences from Scottish fiddle music. For example in addition to the standard tune types such as Jigs and Reels, the Donegal tradition also has Highlands (influenced by the Scottish Strathspey). The distinctiveness of the Donegal tradition led to some conflict between Donegal players and representatives of the mainstream tradition when Irish traditional music was organized in the 1960s.
The tradition has several distinguishing traits compared to other fiddle traditions such as the Sliabh Luachra style of southern ireland, most of which involves styles of bowing and the ornamentation of the music, and rhythm. Due to the frequency of double stops and the strong bowing it is often compared to the Cape Breton. Tradition Another characteristic of the style is the rapid pace at which it tends to proceed. Modern players, such as the fiddle group Altan, continue to be popular due to a variety of reasons.
Among the most famous Donegal style players are John Doherty from the early twentieth century and James Byrne, Paddy Glackin, Tommy Peoples and Mairéad Ní Mhaonaigh in recent decades.
Read more about Donegal Fiddle Tradition: History, Description of Style
Famous quotes containing the words fiddle and/or tradition:
“If you love music, hear it; go to operas, concerts and pay fiddlers to play to you; but I insist on your neither piping nor fiddling yourself. It puts a gentleman in a very frivolous, contemptible light.... Few things would mortify me more than to see you bearing a part in a concert, with a fiddle under your chin, or a pipe in your mouth.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (16941773)
“Where do architects and designers get their ideas? The answer, of course, is mainly from other architects and designers, so is it mere casuistry to distinguish between tradition and plagiarism?”
—Stephen Bayley (b. 1951)