Details
Gair had worked with Leibovitz and Moore on More Demi Moore. Departing Vanity Fair editor Tina Brown felt "The only thing to do for the anniversary cover was to reprise it." According to a Houston Chronicle story that quotes both Moore and Brown, about 100 million people had seen the earlier cover, and this cover capitalized on the anniversary.
They decided to attempt a body painting during the week-long shoot at the Chateau Marmont Hotel in West Hollywood, California in 1992. Gair was provided with a pinstriped three-piece suit by Richard Tyler as a model to paint onto Moore. Since in those days she did not generally work with assistants, the day started at 6:30 A.M. and Demi Moore slept that night in the painted-on suit in case they needed to resume the next day. It took 15 hours to apply the suit because it was difficult for Gair to build the proper paint density. Moore's body heat melted the paint. For the 1992 cover, which required a full-day sitting for Gair and her team of make-up artists, Leibovitz could not decide where to shoot, and "reserved two mobile homes, four hotel rooms and five houses". Stylist Lori Goldstein assisted with the application.
Having started rigorous workouts in the final trimester of her pregnancy the year before to prepare for her role in A Few Good Men, Moore was physically fit for the photoshoot. Thus she appeared in additional nude photos within the magazine's cover story. Moore viewed the photos as a chance to show off the results of her workouts: "I said I would get better with each baby and I have." The weeklong effort also involved shots taken in Kauai, Hawaii that are included in Gair's second book, Body Painting. Moore felt she looked better on the cover at age 29 than she had in a bikini nine years earlier in Blame It on Rio.
Read more about this topic: Demi's Birthday Suit
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