Dark Sun - Novels

Novels

  • Prism Pentad - Troy Denning
    1. The Verdant Passage (October 1991), (ISBN 1-56076-121-0)
    2. The Crimson Legion (April 1992), (ISBN 1-56076-260-8)
    3. The Amber Enchantress (October 1992), (ISBN 1-56076-236-5)
    4. The Obsidian Oracle (June 1993), (ISBN 1-56076-603-4)
    5. The Cerulean Storm (September 1993), (ISBN 1-56076-642-5)
  • Tribe of One - Simon Hawke
    1. The Outcast (November 1993), (ISBN 1-56076-676-X)
    2. The Seeker (April 1994), (ISBN 1-56076-701-4)
    3. The Nomad (October 1994), (ISBN 1-56076-702-2)
  • Chronicles of Athas - Various Authors
    1. The Brazen Gambit (July 1994), by Lynn Abbey (ISBN 1-56076-872-X)
    2. The Darkness Before the Dawn (February 1995), by Ryan Hughes (ISBN 0-7869-0104-7)
    3. The Broken Blade (May 1995), by Simon Hawke (ISBN 0-7869-0137-3)
    4. Cinnabar Shadows (July 1995), by Lynn Abbey (ISBN 0-7869-0181-0)
    5. The Rise & Fall of a Dragon King (April 1996), by Lynn Abbey (ISBN 0-7869-0476-3)
  • New Fiction (2010/11) - Various Authors
    1. City Under the Sand (October 2010), by Jeff Mariotte (ISBN 978-0-7869-5623-4)
    2. Under the Crimson Sun (June 2011), by Keith R.A. DeCandido (ISBN 978-0-7869-5797-2)
    3. Death Mark (December 2011), by Robert J. Schwalb (ISBN 978-0786958405)

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Famous quotes containing the word novels:

    “Society is the stage on which manners are shown; novels are the literature. Novels are the journal or record of manners; and the new importance of these books derives from the fact, that the novelist begins to penetrate the surface, and treat this part of life more worthily.”
    —Ralph Waldo Emerson (1803–1882)

    “All middle-class novels are about the trials of three, all upper-class novels about mass fornication, all revolutionary novels about a bad man turned good by a tractor.”
    —Christina Stead (1902–1983)

    “The present era grabs everything that was ever written in order to transform it into films, TV programmes, or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.”
    —Milan Kundera (b. 1929)