Dad's Army - Opening and Closing Credits

Opening and Closing Credits

The show's opening titles were originally intended to feature footage of refugees and Nazi troops, to illustrate the threat faced by the Home Guard. Despite opposition from the BBC's Head of Comedy Michael Mills, Paul Fox, the controller of BBC 1, ordered that these be removed on the grounds that they were offensive. The replacement titles featured the now familiar animated sequence of swastika-headed arrows approaching Britain. In Series 6 they were updated – in all previous versions one of the Nazi arrows passes over the tail of another but then appears under.

The closing credits of the show are a homage to the end credits of the 1944 film The Way Ahead which had covered the training of an everyman platoon during the war and was originally released as a propaganda film in 1943. In both instances, each character is shown as they walk across a smoke-filled battlefield. One of the actors in Dad's Army, John Laurie, also appeared in that film, and his performance in the end credits of The Way Ahead appears to be copied in the sitcom. Coincidentally, the film's lead character (played by David Niven) is named Lt. Jim Perry.

Read more about this topic:  Dad's Army

Famous quotes containing the words opening and closing, opening and, opening and/or closing:

    It is a dead heart.
    It is inside of me.
    It is a stranger
    yet once it was agreeable,
    opening and closing like a clam.
    Anne Sexton (1928–1974)

    Of the crow-blue mussel shells, one keeps
    adjusting the ash heaps;
    opening and shutting itself like

    an
    injured fan.
    Marianne Moore (1887–1972)

    The appetite for power, even for universal power, is only insane when there is no possibility of indulging it; a man who sees the possibility opening before him and does not try to grasp it, even at the risk of destroying himself and his country, is either a saint or a mediocrity.
    Simone Weil (1909–1943)

    Although sleep pressed upon my closing eyelids, and the moon, on her horses, blushed in the middle of the sky, nevertheless I could not leave off watching your play; there was too much fire in your two voices.
    Propertius Sextus (c. 50–16 B.C.)